Raining Men at Consett Empire

Posted on May 10, 2012 by andybramfitt

Raining Men Brochure image

It’s Raining Men – Hallelujah

Since The Full Monty there have been many attempts to recreate the earthy realism, coupled with real humour and an insight into the lengths people will go to earn a few extra pounds.  The boom time of the early 2000’s reduced the need for people to be inventive around making a quick buck, but with the current austerity measures starting to bite hard, stories abound on how people have been forced to be more creative in their money making ventures.

Raining Men is set in a club which, as Halloween nears, realise that they have no act for the special night.  Cue Doug the DJ, Phil The Bouncer (sorry, Door Security) and Colin the Barman to step in and put on a show of their own.  Bringing together the fabulous talents of Michael Cross, Andrew Ryan and Patric Kearns, Raining Men takes everything that was good about the Full Monty, shoe horns it into a size 7 6” stiletto and wraps it in a sequined off the shoulder Shirley Bassey styled frock.

The first act gives very little suggestion as to the glittering array of sheer camp-ness that is to follow, we are given the story around why the club needs the act, how the owner is a less than trustworthy custodian and how Phil feels that drag acts would seriously attack his Rambo-esque masculinity.  After the break we are transported to the show night itself which is a never-ending laugh-fest.  There are costume changes that would rival any West End musical, parodies of the Spice Girls, Lady Gaga, Madonna and Abba and audience participation which left everyone gasping for breath.

This show was one of the best Friday nights I have spent in years – great characters, great music, simplicity done to perfection.  A hilarious, sparkling, naughty evening, featuring music from the likes of Barbra Streisand, Shirley Bassey and Judy Garland, with a chance to join in the fun and win up to £100 000!

It is true that the show is perfect for hen parties and girly nights out but I defy any hetrosexual man who enjoys music and can laugh at genuine comedy not to have a great time too.   Be warned: this play is strictly for adults only with strong language and adult content from the start but hey, that’s what makes club nights.

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Yes, Prime Minister

Posted on May 10, 2012 by andybramfitt

Yes, Prime Minister (Tour - Oxford)

The new Whitehall Farce, at Checkers

 This updated version of Yes, Prime Minster, written by the original creators Antony Jay and Jonathan Lynn brings a non-party specific view of life behind the scenes for the Prime Minister, Jim Hacker and his team, including the irrepressible Sir Humphrey Appleby.

 Jim is now heading up the coalition government (sounds familiar) and is teetering on the precipice of complete meltdown, both economic and diplomatic.  Offered an escape route by a highly dubious deal with the unlikely allies of Kumranistan, Jim has to decide whether to sell out or sell up. 

 This version manages at times to capture some of the essence of the original TV shows but without the wonderful Nigel Hawthorne and Paul Eddington any semblance is quickly dismissed as 2nd class copying.  There are quite lengthy periods of almost monotonous dialogue which pays too much attention to the bureaucracy of government and not enough to the inter-personal shenanigans that would keep the laughs coming.   

 The TV shows looked to create a non-stop 25 minutes packed with constant plotting; Sir Humphrey knew (or thought he knew) everything that was going on and spent most of his time protecting his own nest while steering Jim Hacker away from making a complete hash of things.  With time at a premium there was always very careful consideration and lines/plots/ideas which didn’t deliver were simply not included.  This play, with its running time of almost 2 hours, has too much space and it is this ‘luxury of time’ that leads to weak, unproductive and quite frankly un-funny speeches.

 The premise is still sound, the context is still very relevant, in fact even more so now – there are many who would suggest that our current government is already one big comedy, (or at least laughable if it wasn’t so seriously out of touch) but unfortunately, like the current government, its best work was done long ago, it is now living on being a mere shadow of its former great self.

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South Pacific at Sunderland Empire

Posted on May 4, 2012 by andybramfitt

 

The South Pacific – A vast expanse of emptiness dotted with little island gems

The world was a very different place when Rodgers and Hammerstein created South Pacific.  It was larger, less travelled and as such, more mysterious.  Peoples’ opinions and beliefs were more rooted in the culture of their home towns and prejudice sat silently behind every decision.  On one hand, the story is a fun loving musical about an American base on the farthest reaches of Uncle Sam’s West Coast frontier – on the other hand it is a veiled attempt at painting a twee fairy tale of good overcoming evil and love conquering even the staunchest of bigotries.

The set up is typical R and H – introduce strong, powerful, confident bachelor with a long established routine and a honourable, if somewhat distant, reputation.  Add to that a young woman, pretty, simple yet determined who creates a maelstrom that rips through his ordered life.  Slip into the background some lovable ‘rouges’ and a presumably innocent side story and, hey presto !, you’ve got a musical.

The production values were excellent as you would expect from such a well supported tour.  Sunderland Empire again shows why it is the region’s greatest at large stage productions.  The sets make clever use of the depth of the stage and the ever changing back view of the ocean and Bali Hi have an almost subliminal presence.  The orchestration too all add to the enveloping sense of the heat, the remoteness and the claustrophobia of this tiny area far from the mainland.

The show is a shade under 3 hours plus interval (thankfully the seats are very comfortable and the leg room close to being the most generous) and this is the nub of any disquiet  - it’s an old style show, with old style themes, old style values and old style pacing and 3 hours is just too long for it to keep modern audiences on the edge of their comfortable seats.  Competing with the faster tempo of shows like Chicago and Thriller or the intensity of Titanic the Musical, South Pacific just doesn’t have the ‘wow’ factor anymore.  Likewise, there are a few dubious threads which today just don’t sit well.  Racism and what is almost bordering on child prostitution sit within the two main love themes.  There isn’t enough of the story devoted to portraying how these actions were then accepted by society so instead of them being ‘of the time’ they are trivialised, making them even more abhorrent.

The much vaunted highlight songs – “Happy Talk”, “Wash that Man Right Outta my Hair”, “Some Enchanted Evening” “Nothing like a Dame” and “Bali Hi”, whilst being hugely well known are from a bygone age – they are not sing-along classics, in fact they are not even foot-tappers so you a left feeling that you are watching a rendition, at the end of which there is polite applause and then silence.  Regardless of the cast – who were all excellent –  you just can’t inject enough of today to stop South Pacific feeling like watching a black & white movie. 

South Pacific is on at Sunderland Empire until Saturday 12th May – if you are a fan, a real fan, then you will love it - if you enjoy more modern musicals then this may not be for you at all.

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Opera Nova at Darlington Arts Centre

Posted on May 3, 2012 by andybramfitt

I have always fancied going to see an opera but whilst I know lots of the really popular tunes, I have always thought I would struggle to follow the story, recognise the characters or understand the plot.  I tried to watch Wagner’s “Das Rheingold” on Sky Arts but, despite the hugely theatrical production I just felt lost at not really knowing what was happening – coupled with it not being sung in English which made it all the more difficult to follow.

When the opportunity came up for me to go and see Opera Nova’s newest production – For Better, For Worse – I jumped at the chance.  Following the successes of Love, Sex and Death and Opera, It’s One Big Party, For Better For Worse (subtitled the Matrimonial Noose) is an exploration of love and marriage as seen through the eyes of the great operatic composers.  Here was a show that promised to extract key wedding and marriage scenes and present them in a ‘novice-friendly’ way.  Make no mistake, it may have been made accessible for the uninitiated few like myself, but the quality, the power, the humour and the sheer majesty of the evening was every bit as professional and moving as a full production.

Under the excellent guidance of musical director Richard Bloodworth, and accompanied by Alison Gill on the piano, we were treated to scene after scene of matrimonial merriment and mayhem in equal proportions.  Figaro, Don Giovanni, The Bartered Bride and Fidelio were brought to life in beautiful harmony.

I won’t for one moment begin to suggest that I knew all the operas from which the extracts came, nor did I come armed with a knowledge of the stories they were telling, but what Richard did was to introduce each scene with a potted synopsis of the plot so far, the key characters and more than a little humour about what to expect next.  He has a wonderfully mellow voice that carried across the audience and gave equal amounts of comfort and excitement about the scene to come.  Alison, who played the entire accompaniment, belied her tender years (she is only 27) to deliver a note perfect aural tapestry on which the stories were woven.  It was quite amazing to think that the whole auditorium was filled with wondrous sounds all emanating from 1 piano and the human voices on stage.

 We left the show with a heightened thirst for learning more about those opera’s from which some of our favourite classical tunes are drawn.  We also vowed to dig out our classical CDs and make sure that at least a few were ever present in the car but most importantly we added Opera Nova to our “Must See Again” list and would urge anyone else with even a remote interest in opera to keep watching the listings for their next show.

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Titanic at Darlington Civic

Posted on April 25, 2012 by andybramfitt

A performance as powerful and awe inspiring as the great ship herself.

It was quite fitting that on this, the opening night of DarlingtonOS production of Titanic, that the heavens had opened and the audience arrived already soaked through and shivering. 

We all know the story of the ill fated maiden voyage and it is well celebrated this year through both factual and dramatised TV productions but I defy any of them to be as moving, as emotional and as immersive as this show.

The opening scenes, with the passengers and crew viewing the mighty ship for the first time is a testament to the direction and choreography of Scott St Martyn – the use of simple projections along with perfect stage management gave everyone no doubt that we were about to set sail on a monumentous journey.  The cast, in joining together for a rafter lifting first chorus, set the scene, the pace and the expectation that everything about this show was going to be huge.  The opening number is all the more heart-aching because we know the fate that lies in wait for many of the characters; the first class passengers who openly flaunt their wealth & riches, the 2nd class who looking enviously at 1st whilst living beyond their means just to try and fit in and the 3rd class who bring only themselves and their dreams.  Death doesn’t discriminate.

Back in 1912 the Titanic started her journey at a quite sedate 18 knots but this show went straight to full power and didn’t let up once.  The pacing of each scene was breathtaking whilst the interaction between characters was a perfect example of how to sell a back story, develop interaction and create personae all within one number.   The main characters, acting as the golden thread running through the whole show, were never in danger of bullying their way to ‘front & centre’ – each was sympathetic to the story’s needs yet brilliantly powerful in taking us on this turbo charged ride.  Julian Cound, as the ships designer & builder Thomas Andrews, ran the whole gamut of emotion from pride through protective parentship and finally personal grief as his ‘baby’ flounded and he realised how simple a solution to this could have been.  Lee Morris played the first class steward Henry Etches with a perfect blend of humble servitude and knowing discretion – in part he reminds of the character Radar from M*A*S*H – always there, never demanding but the grease that keeps everything running smoothly.  I could go on and list each and every cast member – they were all wonderful and can feel rightly proud that they delivered an historic show.  Likewise, Michael Trotter as musical director, and his orchestra deserve all their plaudits for providing a sensational aural backdrop.

Darlington Civic doesn’t have the largest of stages but with the ingenious sets and masterful stage direction it was all too easy to think we were watching a production at the Palladium or the Royal Albert Hall – at times there were in excess of 30 people moving, dancing, interacting yet not once did it seemed cramped – not, that is, until we reached the climatic end when the feeling of claustrophobia and panic was palpable and not just on the stage.

For anyone wondering how the dreadful story of the Titanic can be portrayed effectively on stage, and as a musical, they need not fret - it is, after all, a story about love, greed, dreams and tragedy.  The show has a number of anthemic songs which, in the hands and voices of this fabulous cast rivalled even Les Mis for pulse racing, tear jerking emotion.  The song “We’ll meet tomorrow”, performed as the realisation that those left on board would surely drown, prompted many frantic searchings for tissues and stifled sobs.

In the centenary year of Titanic, and with the huge interest across the world in revisting the events of April 1912, I would urge everyone, young & old, to go and see this show – it will not only educate you as to how things happened, it will transport you on deck and give you the sense and feeling of what it was like.  Just be prepared to be moved.

 

Posted in Darlington Civic, History, Music, Theatre, Titanic, Uncategorized | Tagged , | 3 Comments

Anne Boleyn at Darlington Civic

Posted on April 18, 2012 by andybramfitt

 

If only history had been this much fun when I was at school !

I didn’t really get history when I was at school, either because of the way it was taught or because I remember most of my history lessons were just after lunch when watching the other classes play football was far more appealing.  It’s a shame really, as had I realised that it could be as big, bold, fun and thrilling as John Dove’s production then I’d have most certainly taken more notice.

The play brings to life and light the story behind Anne Boleyn’s reputation as “the Protestant Whore” – how she was very much in love with King Henry VIII and most certainly didn’t (at first) see him as a route to making England a protestant country.  It explores how Henry, fed up with Catherine’s inability to provide him with an heir, was looking for a “church approved way” to rid himself of her and find another who could give him a rightful successor. 

The writing, the use of traditional musical instruments and the fabulous costumes all help to drive the story along at a brisk pace; there is plenty of humour throughout with the whole ensemble either playing to or falling foul of Howard Brentons wonderful script.

The story starts with the newly crowned James I hunting through an old chest and discovering the hidden secret of Anne Boleyn; the banned bible written and interpreted by the exiled William Tyndale.  Time skips back 70 years, to when the flirtatious and headstrong Anne first met the young King and how their lives & loves start to intertwine.  Never truly accepted by the courts, Anne has to battle the prejudices of those who saw her simply as the King’s mistress, a conniver, a harlot and, to some, a witch.  It’s true that she cast a spell over Henry, but this was no witchcraft, it was womanly charm.

Henry, who believes that as King he can demand favour from anyone he pleases is suddenly confronted with a woman, who, despite his obvious regal power (and his complete desire) is prepared to stand firm and refuse any physical union until they are married.  It is over this cliff-edge that the ‘Catholic’ king must leap if he is to take Anne as his bride and lover. 

It is through this time that Anne realises that she has an ally in her perseverance of bringing the Protestant faith to the fore – an unlikely and secret ally, but one who enables her to meet with Mister Tyndale.  She takes great strength through this and announces to the King that she is, in fact, a proud protestant and that by following the protestant teachings he could become the head of the Church of England and thus able to dispense his own form of religious protocols, including divorce.

There then follows plot & sub plot, alliance and betrayal with regular trips back to the ‘present day’ to see how James I was grappling with his own ideas of how to progress a unified English religion and an official translation of the Bible.  Of course, we know how Anne met her fate, but even the surroundings leading up to her imprisonment were clouded in treachery not often fully appreciated.

The cast all played their parts magnificently - Jo Herbert, as Anne, was steely strong, defiant and focused yet still naive and vulnerable in the presence of Henry’s courtiers.   When not centre stage she floated in and out of scenes, keeping a constant thread through the whole story.  Julius D’Silva as Thomas Cromwell was subtly threatening, knowingly menacing and as trustworthy as a basket of vipers.  Had this been a pantomime he would have been the villain but I doubt anyone would have had the nerve to even whisper a boo. 

The standout performance for me was James Garnon as King James I – King James is a complex character, thought to have been gay,to suffer from gout and kidney stones and to be taken to bouts of giddy madness. We see him dressed in Anne’s coronation gown, dancing energetically with male courtiers, goading the new Church of England and the Puritans and seeking guidance and acceptance from Anne’s ghost.  James Garnon plays the part with a mixture of wretched soul searching and gay abandon, complete with physical tics, anguished howls and unnerving maniacal laughter.

I think that this production should form a part of the modern curriculum; it could equally cover drama, history and RE and is readily acecssible for all to understand - I took Jess to see it and, as she had just finished the Tudors in her history lessons, she found the show fascinating, engaging and completely enthralling.

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The Most Wonderful Wizard of Oz

Posted on April 13, 2012 by andybramfitt

Who says Pantomime is just a Christmas thing ?  The tried and tested formula of songs, jokes, slapstick humour and well known stories is so often mothballed from Jan to Nov because tradition dictates that Pantomimes are not for all year, they’re just for December, and that’s a crying shame.

There must be a belief that kids (and adults for that matter) wouldn’t enjoy the same type of show at other times of the year ?  But “Oh yes we do”, and “Oh yes we did last night” -speaking to the Civic’s Theatre Manager he confirmed that the 4 shows will have drawn in over 3500 people in just 2 days.

The Wizard of Oz was given an adrenaline shot a few years ago by the BBC and Andrew Lloyd Webber but forget the “sticking strictly to the film” production, this version was pure, laugh out loud until you almost wet yourself fun.

Staged by Enchanted Entertainment, The Wizard of Oz nicks all the best bits from the original and then squeezes in more jokes, more songs and more kitsch than thought possible.  There are CBBC favourites for the kids to recognise with Tracey Beaker and Sarah Jane and, in Bobby Davro the adults have enough ‘nudge nudge, wink wink’ to ensure they are laughing just as loud.

Dani Harmer, best known as Tracey Beaker plays Dorothy perfectly.  She gives a great Kansas accent, carries the same naivety as Garland’s Dot but still has the street smarts and today references to keep the kids engaged.  It’s wonderful that at her tender age she is almost a veteran of stage & screen, is one of the biggest stars in BBC Childrens TV history and known globally, but she can still be reduced to fits of giggles by fart jokes, spluttering sidekicks and Bobby Davro’s impromptu double entendres.

Both my girls have grownup with CBeebies and then CBBC so I am well aware of the characters and stars. I haven’t been allowed to forget them either as being married to a childminder these two TV channels seem to still be favourite so it was quite bizarre to see Sarah Jane Honeywell live on stage – Sarah has been an unintentionally large part of my peripheral TV viewing over the past 10 years -I say unintentional, but I, like most dads, would never have watched Higgledy House just for Justin! .  She plays Glinda, the good fairy, more like a souped up Tweenie than the regal, grandiose fairy of the film and it’s brilliant – the kids loved the cheeky naughtiness, the funky dancing and of course, wearing Heelies on stage – I heard loads on the way out asking their respective parents to dig out their Heelies so they can go be a good fairy.

Bobby Davro proves that there is no substitution for getting up on stage, telling some jokes and having a blooming great time; As the Scarecrow his one liners were so quick that there was a slight time delay as the audience got the previous one, only to then have to catch up again on the next 3 that he had fired, machine-gun like.  Of course, Bobby made his initial break as an impressionist and we are treated to a smorgaas bord of his finest, including a Harry Hill which had many of us believing it WAS Mr Hill who had snuck in as a mystery guest star.  Mr Davro is obviously the most experienced and some would argue therefore headline star but he is so genuine that there is never a moment of “look at me” or “I’m the star” – a true entertainer. 

The whole show is a fun packed afternoon/evening which makes you feel that you have been allowed into the casts’ own end of season production – it’s so loose and fluid that you can’t help just laughing along with the stars on stage as they seem to have as much fun as you do.

It’s a little known fact, but Bobby Davro’s father was a world record holder and Olympian in both the mile and 1500m – well, in Bobby we have the current Olympic champion in making people laugh – jokes, slapstick, fantastic impressions and cheeky devilment and it’s my belief that the UK should be reminded of this more often.

The Wizard of Oz by Enchanted Entertainment is on at Darlington Civic today (Friday 13th) but if you’re thinking of going, please phone the box office first as tickets are pretty scarce.  The show is then off to Carlisle for the 14th & 15th April.

UPDATE:  Just had my hand slapped by the Tin Man (which I assure you hurts A LOT) for forgetting the most evilest, wickedest, nastiest witch in the whole of Oz – Kate Richards who at times was so wicked the audience were dumb struck and needed prompting to boo – or maybe they just knew what a darling Kate is really and couldn’t bring themselves to hiss at her – either way she was the epitome of a Panto villain, – “Oh yes she was”- and a great singer too. 

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Chicago at Sunderland Empire

Posted on March 27, 2012 by andybramfitt

 

Most people have heard of, or seen, Chicago – for many it was the 2002 movie starring Renee Zellweger and Catherine Zeta Jones that brought them to the delights of Matron Mama Morton and her death row divas but whilst the glamour & glitz of the Hollywood version remains true to the text of the story, you have to see it live on stage to really feel the energy and raw power of the whole experience.

I’ve seen the stage production of Chicago half a dozen times now, including in the West End (twice) but this is undoubtedly the best version.  The choreography is simply stunning – it oozes sex appeal, is as tight as a snare drum and gives you all the razzle dazzle mixed with the seedy, snarling, downright dirty underbelly of Chicago in the 1920′s.  This is where it strips away the gloss & sanitised safety of the film and exposes you to fabulous dance routines, sultry vocals and a grown-up level of humour.

From the very first number, “All that Jazz” it is obvious that the audience are going to be treated to a non-stop master class in ensemble dancing, direction and production.  This is THE example any budding dancer, show director or stage producer should see – the ingenious use of the set, the positioning of the band (who were as much a part of the visual delight as they were the audio) and the simple yet evocative costumes demonstrate theatre at its very best. 

Taking the lead roles last night were Tupele Dorgu and Chloe Ames - two girls who, to date have had very different degrees of exposure.  Ms Dorgu boasts a very wide & varied list of TV productions including Coronation Street, Waterloo Road, Casualty, Doctors and a hall of fame entry for crossing the big red balls in Total Wipeout.  As Velma Kelly she has all the sass and bravado coupled with a great voice and some stunning moves; she manages to inject a degree of pathetic desperation just under the skin which always threatens to breakout and ruin the otherwise completely-in-control Kelly – it is this vulnerability which creates the juxtaposition at the end of the show as Velma & Roxie realise they really are alike.

Chloe Ames, who is billed as Hunyak (the Hungarian murderess, who ironically only has two words of English in the whole show) stepped into the lead role and was simply amazing.  Roxie, in her hands, was a little girl lost, a brash almost arrogant temptress and a naive but headstrong showgirl. When sexy was required she was molten gold, when vulnerable was needed she was doe-eyed innocence and when it was time for comedy she was classic timing perfected. 

The role of Roxie is very demanding, not just for the complex layers of the character but because, being the lead in so much of the story line, she needs to dance, act, sing and belt through many of the shows headline hits.  It really places the actress front & centre to be judged and compared against all others who have played Ms Hart, a list which includes such noted stars as Denise Van Outen, Claire Sweeney, Jennifer Ellison, Ruthie Henshall and even Bonnie Langford and I can say, with great certainty, that Chloe Ames deserves to be included in that list too.  She may have yet to take top billing herself, but, Ms Ames, your time is nigh and theatre will be all the richer for it.

Chicago is on at Sunderland Empire until 31st March – even if you’ve seen it many times before,  go again, this Razzle Dazzle is simply the best

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My first time at Burlesque and I loved it

Posted on March 17, 2012 by andybramfitt

Wow – what a night, how can I have missed out on this for so long?

Last year I was very lucky to go and see DrumChasers and those who read the review will remember I thought I had seen something very unique and special.  Well last night I went to Darlington Civic and, whilst the show I saw was not a new idea, it was my first time at a Burlesque evening and it was amazing.  I apologise now to any aficionados of burlesque if I descend into the naive & virginal ramblings of a ‘newbie’ but I loved this show from the very first minute to the extended encores.

For those who may not be familiar with Burlesque, think of a heady (and hedonistic) mix of Vegas, end of the pier, music hall and cabaret with a sprinkling of bizarre and a copious dash of naughtiness.  The show we saw last night, hosted by the utterly devine Miss Lili la Scala, gave everything you could ever want for a evening of pure escapism. Miss Lili was the perfect compere for a first timer like me; she was gentle, funny, welcoming and endearing yet all with a wicked glint in her eye suggesting that we were in for some fun.

I won’t spoil the show by recounting each act in detail, but I will say that each one was fresh, funny and so obviously having fun themselves that the audience couldn’t help but join in. 

Before last night I believed that Burlesque was all about sequins, stiptease and tassels – there is certainly plenty of that, but it’s done not in a “Carry On” “oo-er” snigger-behind-your-hand-way; it is very artistic, clearly talented and quite ‘grown up’.  Added to this was a cornucopia of variety.  There was the visual humour of Elan Kosuk (and a brilliant routine with a suitcase), the jaw-dropping and completely bonkers (in a good way, especially for Trekkies) Fancy Chance; Mr B, the Gentleman Rhymer (complete with his Banjolele Chap-Hop), and one of the best impersonators seen in Darlington for many a year (I can’t say who he covered as it would ruin one of the show’s gasp out loud moments).  We were treated to the sultry, honey coated jazz of Miss Coco Malone, a cross between Dinah Washington and Ella Fitzgerald who fixed the audience in their seats as they hung on every note, and then, completing this already bulging talent line up was Flixx Demontrant and a trip into his surreal circus of the mind; slightly scary, slightly weird and completely compulsive viewing.

And back to the dancers – Elle Amour and Mia Merode.  For anyone who has been forced to go to the ballet and sat thinking, this is okay but it would be great if they could just ‘sex it up’ a bit, Ms Amour is all that and some ! Her choreography would not be out of place amongst Swan Lake, the Nutcracker or Sleeping Beauty but where they stop she starts, treating the audience to a full appreciation of the female form as she pirouettes, plies and piques. Of course, I wouldn’t suggest that the audience are aficionados of ballet, but we certainly appreciate the loveliness of a half naked dancer.

Now I have a confession, last night I lost my heart to Mia Merode - if ever there was a contender for the modern day Marilyn Monroe then it must be Mia – face of an angel hiding a devilish smile and a body that men would kill for – I have to be careful because Mrs B was with me last night but in the words of Mel Brooks “Wa wa woowoo wa wa !”.  If Mia was a cartoon she would rival Jessica Rabbit & Betty Boop combined. Ms Merode is no slouch in the dancing either, she spent almost a whole routine on her points for her foray into ballet and then gave the best reason possible for re-introducing peacock farming for their feathers……  Sorry, must pause & compose myself.

I have to admit, as my first time at a Burlesque show I went with little expectation and a very open mind and was completely bowled over – but like the first time for many other things(!), will anything now be able to really compete with this or have I already had the best - only repeated viewings will tell !

For the perfect adult night out with friends I can recommend nothing better.   Check out the ministry of burlesque website for more details of their shows.

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Swallows and Amazons Forever

Posted on March 6, 2012 by andybramfitt

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A wonderful exercise in imagineering which every child should be encouraged to try.

There have been some amazing developments in cinematography recently – high definition, IMAX, 3D – not to mention the fantastical CGI demonstrated in films such as Transformers, Avatar and Inception, but sometimes I wonder whether all this ”alternative reality on a plate” is stripping away our ability to fantasise and make believe.

Well, having just watched Swallows and Amazons at the Civic in Darlington I have to acknowledge that, without a single electric prop, with no high definition back scenes and based only on the ingenuity of a cast of actors and musicians, I lost myself in Windermere 1928.

The story is well known; 2 groups of children take to the lake to sail, explore, rival and ultimately join together in their own fantasies of pirates, savages, ghosts and treasure.  What really set this production aside is the completely refreshing way that the set  and props gave the feeling that they too were derived from the childrens’ imaginations.  Boats were not much more than skateboards with blue ribbons for the water, birds were cleverly fashioned from shears and bin bags while the view through a telescope was brilliantly mimicked with hoops and mini models but it only took a moment to trigger the now underused ‘minds eye’ and the stage disappeared and the Lake District took it’s place.

Just as clever was the introduction of sound effects, again being done acoustically – the sound of the wind was generated by a traditional ‘wheel and canvas’, thunder was created by the biggest storm board I’ve seen and a crackling camp fire was amazingly done simply by clicking and clapping hands.

The cast, all quite grown up despite playing characters aging from 12 down to ‘almost 8′ worked really hard to make their parts believable children without being childish – the original story had all the kids display a great degree of strength of character which came from having the confidence to explore the countryside without fear or prejudice – quite different from the children of today.   Granted, there are few who would be happy to let 4 children sail out across a lake to a deserted island to camp, but lets not forget that this story is set very much in a time where the challenges of life were to be faced, and overcome, from the earliest of years.

Led by Richard Holt as Cptn John Walker (who perfectly carried the angst and responsibility of the ‘man of the house’ while his father was at sea and took his assumed place as the head of the camp with great importance) and with Katie Moore as Susan Walker (playing the ‘surrogate mother’ with a wonderful blend of practicality and tenderness), the ‘children’ keep the story rattling along whilst the stage support and crew constantly demonstrate the unique improvisation for sound and visuals.   Adding to this, Akiya Henry and Stuart Wright (as Titty and Roger) who brought humour and comedy, again childlike, not childish. 

Two scenes stand out above all others – the midnight dream sequence which is reminiscent of a Faustian fantasy coupled with Pirates of the Caribbean, and the fun-packed audience participation of the final battle.  I guess that, in the grand scheme of things, this story has yet to be made into a Hollywood gloss movie, nor has it been subject to a BBC drama department make over so this production can keep true, and capture so much of the appeal and essence of the original – the fantasy of childrens’ imaginations. 

If you have children of your own, or if you’re an uncle or an aunt, then do yourselves a favour and take them to see this – they will probably be pleased for the invite, you will certainly be glad you did.

Swallows and Amazons is at the Darlington Civic until Saturday 10th March

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On Golden Pond at Darlington Civic

Posted on March 2, 2012 by andybramfitt

A heart-warming, genuine and sincere look at the autumn of life

 It’s not very often that a play comes along for which I have no pre-conceived ideas.  Even less so when the story, and the film, has received such plaudits as Tony’s, Oscars and international acclaim but I can honestly say I had no clue what to expect when I settled down at the Civic to watch Ernest Thompsons 1979 play.

 The story, for any of the few who are as out of touch as I, centres around a married couple’s annual summer retreat to their lodge on Golden Pond.  There’s no dynamic plot, there’s no contrived drama or conflict but there is realness to the writing which just draws you in.  The audience was very varied but this play appeals to all ages; I took my daughter Jess and she related to the story just as easily as I did and those around us.  Those of a similar age to the characters will recognise themselves, those of my age can see their parents and for the youngsters in the seats (like Jess) they can see their grand-parents up there on stage.  Set with just one scene, the ambient sounds and great scenery very quickly draw you in and it’s easy to forget you’re sat in the theatre.

 The stars of the show, Stefanie Powers and Richard Johnson, deliver with consummate ease, the delightful story of a man, Norman, and wife, Ethel, who have grown so complete together that they have almost become as one.  It’s not just the finishing off of each others sentences, but more the unconditional acceptance they have for each other’s foibles, idiosyncrasies and traits.  Their lives have become intertwined and defined by their time on Golden Pond, and it is this which makes for a more acute awareness of the encroaching and indefatigable changes of old age.  All too often I found myself thinking, “Will we be like this in years to come” and my answer was a resounding “I hope so!”

 Simple things, like forgetting the way to the woods where they have walked for 40 years serve only too well to remind us all that our time here is but fleeting.  Norman, brilliantly played with ascorbic tongue and dismissive hand waves, is so consumed with his end of days that at first he seems very morbid, however as the play continues you can see inside the character and realise that his incessant fascination about dying is actually a front to deflect from his real fear of growing old with regrets.

 The introduction of their middle aged and slightly estranged daughter, Chelsea, only serves to remind Norman that time is short and maybe he should ‘stop and smell the roses’ every now and then.  Of course, after 40 odd years, he is not going to simply drop his guard and proclaim love for the prodigal daughter, but an enforced encounter with her 14 yr old step son suddenly gives Norman more reason to live than he thought possible.

 This is a wonderful play on quite a short tour – if you get the chance go and lose yourself on Golden Pond, you’ll love it there

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Save the Last Dance for Me at Darlington Civic

Posted on February 21, 2012 by andybramfitt

The music loving populous of Darlington have been very well treated recently, with David Essex last week and now a trip back into the sugar coated, popcorn smelling jukebox musical of the early 1960’s.  This latest offering from the Director & Producers who brought the massively successful nostalgia-fest of Dreamboats & Petticoats is another ‘lite’ tale wrapped around a never-ending soundtrack of bubblegum pop and teen angst blues.  The backstory of this show is that every song was penned by the same double act, Doc Pomus and Mort Shuman – not two of the best known names in songwriting but a pairing who undoubtedly sat behind some of the eras biggest and best known sing-a-long hits from across the pond.  Whilst this makes for a playlist of hit after hit, it does at the same time mean that a lot of the songs are quite samey with an  American high school focus.  With 25 tunes spanning the 2 acts, it can make for a whole lotta moms apple pie. 

 The story is quite a simple one, a brief glimpse into the stereotypical idea of life for teenagers in the early 60’s – desperate for some excitement and being seduced by the lyrics and ideals of American pop.  The two main characters set off on a weeks holiday, sans parents, to the ‘glamorous’  Lowestoft where they fall into the holiday romance trap of the local US Air Force base and it’s resident band.  Cue lots of soul searching solos as the youngest sister falls in love with the lead singer of the band, a black airman who was hoping for more racial tolerance in the UK compared to his deep south roots.  The story aims at underage love, but shys away, it stares at racial discrimination, but blinks and of course, ends, as all good stories do – with a happy ending.  Maybe I am being too hard, the story most certainly plays second fiddle to the songs but at times it just seemed a little too ‘lite’ – the diet, low fat, decaf version.

 The two lead girls played their roles well; Megan Jones as Marie, the younger sister, played “love-struck” with the same wide eyed innocence seen from a young Haley Mills whilst Hannah Fredrick, as the older Jennifer’ had a sassy edge, but both are still a little ‘too’ nice & innocent to honestly believe they wouldn’t have ran a mile rather than take a lift from an unknown American airman.  What was very evident was that Hannah was clearly enjoying her time on stage and despite her character playing second to the younger sister, her scenes probably stood out more.  The resident airforce band can really play well, capturing the sound & style of the songs and ensuring that there was enough originality to know you’re not just listening to a recording.  At times the sound mixing meant that the vocals were in danger of being drowned out by the backing, but on the whole the audience, who were very obviously fans of the era, loved it.  I must just add that Graham Weaver who played Carlo, an Italian Brummie from Wolverhampton (with a very funny accent to boot) probably stole any ensemble performance – a great dancer, an amazing falsetto voice and according to quite a few sat around me, an excellent reason to stare !

 What disappointed me was the portrayal that only American pop was being listened to by the teens of the time; there was a missed opportunity to show the two girls listening to the British hits of the day whilst still at home and then almost discovering the American tunes at the same time as finding the American base & band.  I know it was only a story, and basing it completely on the writings of Pomus & Shuman was a large part of the appeal, but by the end I had a real hankering for something more gritty, more real, more British – maybe I had just had a little too much apple pie.

Save the Last Dance for me is on at Darlington Civic until Saturday 25th February

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The Only Way is Essex, David Essex

Posted on February 15, 2012 by andybramfitt

The original TOWIE factor in Darlington
 
I was too young to really be a part of the original David Essex fan club (honest) – I know of his hits from radio play rather than fandom, I am aware of his forays into 80′s TV & film by research rather than viewings, so, apart from him playing the Artillery Man in the timeless classic Jeff Waynes War of the Worlds, I would have to confess to being aware of Mr Essex’s talents rather than being a devotee.  But, given the evidence of the Civic audience last night, not only is the Essex Factor still alive and kicking, his fans, albethem, like the man himself, a little greyer & a little older, are still held in his glow.
 
Penned, in part, by David himself, the show is a story centred around a traditional travelling fairground.  With more than a passing nod to the first half of Carousel, it is a tale of families, forbidden attraction and unrequited love wrapped up with plenty of drama and all played out to the soundtrack of classic David Essex songs.  There are a number of layers to this onion of a show; some very bouncy & upbeat, some quite touching & heartwarming and a few which are certainly dark, sombre & sad.  I dare say that the story would stand on its own without the songs, and, even (at the risk of incurring the wrath of my mum & the rest of the audience) could work very well without the man himself – that’s not meant to detract from the main attraction but to acknowlegde that the strength of production, writing & choreography makes for a very entertaining show in it’s own right. 
 
Of course the audience really turn up to see Mr Essex and hear his songs so it’s a great testament that All the Fun of The Fair resists the failings of many Jukebox Musicals to simply shoe horn in musical numbers just to swell the play list.  The songs all add to the flow of the story with very little adjustment of lyric or tone; it was quite impressive how some took on a completely unique feel when sang within the context of the characters’ lives.

David Essex is very much aware that he is the main attraction.  When he takes to the stage he carries a presence, an aura which is very much ‘all eyes on me’ – not that he demands it but that he commands it – and why not, his voice still has the smokey, sultry tones mildly veiling an impish mischief.  It is obvious that some of the writing has been adapted to play to the expected audience responses (pausing for the wolf whistles & cat calls when he first appears, reminiscing to his pop star appearances) but he admirably resists making this simply a David Essex concert.  He is very generous in giving some of his biggest hits to other parts in the show – I thought that this worked very well and ensured that the supporting cast weren’t marginalised to being backing singers.  Of course, there were some in the audience who were disappointed that he didn’t perform every song of his back catalogue but that’s why his CDs still sell in their thousands every year. 
 
Key standout performances included Louise English (Rosa), the gypsy fortune teller who has a mesmerising voice.  She opens the show with a haunting version of A Winters Tale which hints at the depths and darkness which lies beneath the surface of the central ’love story’.   David Burrows (Harvey) plays the cockney father – an ‘Arfur Daley type of wide boy – with a very powerful performance.  His portrayal of the dilemma of protecting his teenage daughter from herself but still trying to give her enough freedom to prevent outright rebellion was played perfectly – strong enough to hold belief but light enough to recognise this was a musical and not a Kafkaesque melodrama.
 
The choreography is clean, fun & makes great use of the Darlington stage.  There are a few routines where we seemed to be watching some bizarre gender reversal, as the seemingly butch & manly gypsy lads performed pirouttes, umbrella & balloon dances and lifted each other while the girls stood as the backing rythym – not sure why as it did look a little too contrived – but the clever use of props and the additional background sounds of funfairs soon restored the magic.
 
So if you are a David Essex fan then you should already have bought your tickets – if you’re a musical fan, or just a fan of good music, then roll up, roll up and enjoy all the fun of the fair – all that’s missing is the smell of hot dogs & onions.

All the Fun of the Fair is at Darlington Civic until February 18th

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Cinderella at Darlington Civic

Posted on December 7, 2011 by andybramfitt

It’s panto time and as befits the age old tradition, Darlington Civic have once again produced a classic, fun-packed evening for the whole family.  This years festive frolic is Cinderella, and whilst the story stays true to the tried & trusted tale, the writing, the jokes and in particular the music really brings things up to date.

I’m sure I don’t need to tell you the plot, nor do I need explain the premise of a panto; all the favourites are present – the Ugly Sisters to boo at, Buttons and his unrequited love for Cinders, a Fairy Godmother to make sure the night goes well and of course The Prince & Cinderella for a happy ever after.  This production however also makes sure that there is a little extra for everyone – Jimmy Cricket does what he does best, his little solo interludes keep the audience (and in particular the kids) on a high as the stage and costumes change, The Prince & Dandini share a few subtle under jokes which only the adults in the audience will get and, for the Dads & Grandads, there is almost a burlesque appeal to the adult dancers with saucy maids and risque villagers.

The show starts quite slow with each main character having a brief intial cameo to introduce themselves before the story really starts.  Jimmy Cricket and Dawson Chance are both needed to keep the kids focussed and then we are treated to a couple of songs (blending modern pop classics with some Disney faves) before heading into the main plot. 

Stage Left – Emmerdale’s Deena Payne as the Fairy Godmother revels in the role as guardian, guide and mischief maker (while occasionally giving us a glimpse of a ‘great pair of pins’) while giving the FGM a certain class & style.  She leads off on two of the shows great songs (fans of Glee will be in heaven) and whilst she’s no X-Factor finalist, she more than holds her own.

Stage Right – Adam C Booth as Buttons and really the chief cheerleader – all the standard panto refrains come from Buttons and Adam plays to the kids perfectly.  His besotted dotage on Cinders does occasionally border on the slightly creepy (he’s her life long friend but I still believe he wouldn’t think twice about sneaking a peek !) but as always Buttons comes through as the dependable buddy.  Adam is a seasoned Panto actor and it shows, his timing is perfect – he knows just how to allow the audience to react and then get settled before going on with the tale.

Centre stage - Prince Charming (Ray Quinn from Brookside and X Factor finalist) proves that he’s got the lot – he can dance, he can certainly sing and he can act, though a cheeky rascal scouse Prince Charming was a first for me.  In fact I’d go so far as to say that Ray is perfect for Panto, talent in abundance and the boyish good looks that will keep young fans enthralled and their older sisters in raptures.  Emma Stephens as Cinderella is stunning; she is beautiful, a very talented dancer and again another great singer.  Her Cinders has the right blend of innocence coupled with genuine beauty which is quintessential to the role.  Emma’s biopic in the programme suggests that to date her career has been solely on the stage, hopefully she will tour again next year as I believe this young star has a very promising career.

Lurking in the wings – The Ugly Sisters – the favourite bad (taste) guys/girls.  Brian Godfrey and Darren Southworth play these two almost too well – they both look mighty fine in frocks and seem very comfortable in the huge range of outlandish costumes, wigs and accompaniments that make them look like Lady Gaga’s rejected stage ideas.  Brian sounds like Grandad from Only Fools & Horses, which, for true authenticity, is probably the best voice for an ugly sister – unlike other panto ‘Dames’ (Jack’s Mum or Widow Twankee) these two are never meant to be anything other than guys in bad drag and they work so well together. 

The script is tight but the cast are comfortable enough to react to the audience – in fact when Ray Quinn realised that most of us were taking the mick out of his Scouse accent he played to it and encouraged even more ribbing.  It really looks like the whole production team are having fun and why wouldn’t they – they’ve got a great show, a great run (I’m sure it will prove to be one of Darlington’s best supported pantos despite the current economic climate) and the wonderful staff of Darlington Civic to look after them.

Christmas is only round the corner but take a tip from me; have a treat early, take your family and go and get lost in the Britishness of panto, Carry-On jokes, saucy dancers and a beautiful Cinderella – you deserve it !

Cinderella is on at Darlington Civic until Sunday 15th January

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The Holly and The Ivy

Posted on November 22, 2011 by andybramfitt

 

It’s Christmas Eve 1947, towards teatime with a log fire burning in the grate, snow in the sky and Holly & Ivy decorating the walls.  The scene is set for the latest play from the Middle Ground Theatre Company and this one is a wonderful festive tale of family, religion, passion, obligation and revelation.

The story centres around a village parson (played by Stuart McGugan) and his family as they meet for their customary Christmas get together.  The Reverend’s youngest daughter, Jenny, is busy preparing the house while at the same time trying to curtail her excitement of being betrothed to a young Scottish engineer David;  a marriage which will take her away from the family home and off to South America where David will work for the next 5 years.  Jenny, despite being excited and in love, is still torn as, following her mother’s death, it is she who looks after her father.

The story unfolds around the secrets of Jenny’s older sister Margaret (played by the completely glamorous Corrinne Wicks) and her reasons (both philosophical and spiritual) for feeling unable to come home and take over caring for her father.  Throughout the play the Reverend battles with his own personal ‘demons’, doubting his effectiveness, questioning whether religion still has a place in village life yet refusing to concede that it may be time to retire.  It is not until two very frank & heartfelt discussions, the first with his soldier son Mick and then Margaret, that he finds the reasons he has been searching for.  Alongside this there are two aunts (themselves being as different as Holly & Ivy) who spice up proceedings with their own take on life & love.

Star of the show is undoubtedly Jenny played by Julia Mallam, who is totally captivating as the doting daughter who knows her destiny but is happy to sacrifice it all to protect her father.  Julia is a charming, beautiful and talented actress who owned every scene she starred in and provided the thread which runs through the whole production.  I would happily buy tickets for every night just to watch her performance.

The Holly and The Ivy is a great Christmas play with a real feeling of the post war years coupled with the sense of social & moral change that prevailed through the general questioning of “what is life all about?”.  I can see this becoming a perennial favourite for the festive season.

The Holly & The Ivy is on at Darlington Civic until Saturday 26th November.

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Sister Act – Superior or just habit forming ?

Posted on November 17, 2011 by andybramfitt

We all know the Whoopi Goldberg film about a Reno lounge singer trying to make it big by singing at the local gangsters club only to witness him ‘offing’ a snitch and having to go into protective custody as a nun while the case comes to court.  A great story made fabulous by the chart breaking songs used, which capture the feeling of San Francisco coupled with Motown classics and spirit-stirring gospel.  Indeed some would offer that it is this film that brought Whoopi to the attention of the whole world and with over $208 Million taken in box office receipts it’s hard to argue.

This current touring production of Sister Act is glam, glossy and one of the most professional productions seen this year; the huge & detailed sets make expert use of Sunderlands expansive stage in bringing to life the church of St Katherines (albeit moved to Philidelphia now) while the cast are brilliantly devoted (as one would expect given that most are ‘nuns’).  But, and I’m afraid it’s a big but, there just wasn’t a sense of wow in the whole story.  It seemed more like a series of sketches played out to accomplish the recounting of each chapter of the story rather than a flowing journey.  Scenes were a little predictable; set up, song - with a belting finale, applause, change scene, go again, without enough of a theatrical thread to join them up.

Maybe it was an over eagerness to include so many songs, or maybe by allowing the arrangements to almost overplay the undeniable choristic abilities of the actors that songs simply took too long, but for whatever reason things just seemed to rush from one song to another.

The audience were very much in two camps last night.  There were obviously those who clearly love the show and they knew it so well that they were starting to laugh at jokes or visual comedy before the actors had even began to deliver.  I am sure that they thoroughly enjoyed the show again and that’s great, that’s the magic of the theatre. 

The other camp seemed to be disconnected from what was happening on stage, treating the show as a series of song renditions and almost switching off if the song wasn’t one which they knew or liked.  The songs in the first half were very much written to tell the story, but the absence of some of the well known movie tunes meant there were less hooks to keep the non-members of the fan club engaged.  It’s very sad to say but there were even patrons in our row who took out their mobile phones and started texting.

Please don’t get me wrong, this is an amazing production delivered by a truly wonderful cast and backed by gorgeous sets, but it just lacked the wrap around feeling of being immersed in a truly great story & script to place it up with musical royalty.

My advice is if you love great music & wonderful singing then get yourself there, if you are looking for a stage show true to the movie then best change your expectations or dig out the DVD and stay at home

Sister Act is currently on at Sunderland Empire

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The Glee Club at Darlington Civic

Posted on November 15, 2011 by andybramfitt

“It started out as a few drinking buddies singing songs round a pub piano, it became one of the most respected and professional outfits doing the club circuit across the north of England” – and so The Glee Singers, and the timeless qualities of glee clubs across the world was born.

Founded in the hard working (and hard drinking) South Yorkshire Coal Mining district, glee clubs were far removed from the glam & glitz of the American TV series, but the harmonising songs took over the clubs, dancehalls and theatres with far more impact than the modern stateside shows.  This play, written by Richard Cameron, gives an insight into the trials & tribulations facing the stereotypical coal miners of the early sixties and does so with a wonderful blend of comedy and heartache backed with their own soundtrack.

The story tracks the colliery glee club as they practise towards their annual gala show but it is the life stories of each member which take centre stage; a young starry eyed wannabee, a failed marriage, lost family and a whole host of skeletons in the cupboard provide no end of twists.  If this was a novel it would certainly be classed a ‘page turner’, the great cast had the audience riveted from start to finish and the quality of the writing gave the 6 actors so much to work with that each could be given top billing. 

The laughs come more from the accuracy of human conflict and working class camaraderie rather than set up humorous situations, almost bitter sweet in some essences and most certainly something which the audience can recognise and relate to.

When you look at the collective resumes of those on stage it is like reading a smorgasbord of great British TV, film & theatre.  John Burton, Michael Chance and Paul Clarkson have probably between them starred in almost every major TV show in the past 15 years, whilst Anthony Clegg and Sean McKenzie have theatre credits to rival even ’Sir Johnny’ & ‘Sir Larry’.

Stand out performance for me, however, was Marc Pickering playing Colin, the youngest of the group – belying his tender age (and his even younger looks) Marc has already starred in Hollywood films, worked alongside Helen Mirren and played ‘R Wayne’ in Peter Kaye’s TV talent show spoof “Britain’s got the X Factor ………..”.  In this show he gives young Colin the naive qualities of youth tempered with the premature worldliness of a boy doing a mans job deep underground.  He really is a young actor (and accomplished singer & dancer) who TV & film producers should be using much, much more -  hopefully they will do so in the very near future.

I would definitely recommend this play.  It is a worthy addition to the pedigree of Hull Truck Company productions and, as with previous shows from this amazing stable of stage wonder, it lets the writing and the actors create the story and envelop the audience completely.

Make no mistake, this really isn’t anything like the American show; there is male nudity, adult themes and plenty of ‘industrial language’ but it is very honest, completely engaging and perfectly played. 

The Glee Club is playing at Darlington Civic from 15th to 19th November and is the last leg of their autumn tour.

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Mr Stink proves the art of storytelling is still alive

Posted on November 8, 2011 by andybramfitt

When I was growing up I loved to read; a good story could keep me rivetted for days and I loved classics such as Watership Down, Chitty Chitty Bang Bang, Swallows & Amazons and Charlie & The Chocolate Factory.  As I grew older & moved into more adult fayre Ialways held a fondness for great children’s stories and so I am delighted to say that David Walliams’ Mr Stink is the latest to be inducted along such tomes as Matilda, the BFG, James & the Giant Peach.

The story is a delightful tale of a young girl Chloe (wonderfully played by Lotte Gilmore)  who befriends a tramp, Mr Stink (the captivating Peter Edbrook) and shows him the innocent kindness only a child can deliver.  There’s no bias, no agenda, no ulterior motive in Chloe’s interaction with the smelly knight of the road and Mr Stink responds to this unexpected kindness with his own insights into life, family and washing.

Chloe’s family play to the tried & tested formula of oppressive mother, down trodden but caring dad & obnoxious sister – not quite Horrid Henry style but there’s certainly more than a passing nod.  Mum, (played to the cringe-making limit by Julie Nagle) is so pre-occupied with her drive into politics that she doesn’t realise Dad is spending his days hiding in the cellar instead of going to work. 

I really didn’t know what to expect with this production – I haven’t read Mr Walliams’ original story (although I do now intend to buy it for my nieces’ Christmas) but from start to finish the stage was delightfully engaging – there is puppetry, great songs, very clever use of staging (especially the bath in a pond) and, despite there only being 7 actors there seemed to be a multitude of different characters along with the leads.  Ingeniously every member of the audience received a scratch & sniff guide book which, at key points in the story, allowed us to share in the smells which gives Mr Stink the edge over other sweeter smelling stories.  Some might find these a little too interactive, but it really worked well and all the kids loved the additional 4th dimension.

I think that this show will best appeal to children between 5 & 12 (Jess came with me and really enjoyed the story) but, like the aforementioned classic stories, there is certainly enough in the subtext to appeal to parents & guardians as well.

If you have children then I would definately recommend coming along; it is much less raucous than a pantomime and yet just as funny & certainly as appealing to the youngsters – what wouldn’t they like – there’s smells, bodily functions, songs, dancing, puppets and Christmas – perfect !

A quick note on the cast & in particular Lotte Gilmore – Lotte plays Chloe with a perfect balance of child innocence whilst avoiding excessive naiviety which would have made talking to a strange tramp quite unbelievable.  I have not come across Lotte’s work before but she captured the role wonderfully and is certainly someone who I hope we will get to see again soon.

Mr Stink is on at Darlington Civic from 8th Nov till 12th, show starts at 7pm.

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They’ve done it again – The Producers at Darlington Civic

Posted on October 26, 2011 by andybramfitt

Pigeons, Nazis, many different herrings, cooked books and little old ladies – all the ingredients for a wonderfully funny & entertaining evening.  Of course, it’s the writing of Mel Brooks that binds all these obscure & lets face it weird components together in his timeless “The Producers”, but it still needs an amazing cast & stage team to really make things work.  Tonight I saw Darlington Operatics Society’s delivery and not only did they pull it off, it was as good a production as any version I have been to see – and I have seen the Nathan Lane version in the West End.

The cast are wonderful – Ken Horsley would give the aforementioned Mr Lane a real run for his money, blending pure charm with wily wit and a dash of dirty and delivering it with superb, powerful vocals.  His solo in the prison jail, complete with personal intermission was perfection and his lecherous yet timid flirting with the little old ladies had everyone laughing till we couldn’t breathe.  Dan Brookes as Leo Bloom had an accent so in tune with his character that I swear if you closed your eyes you’d think it was a young Woody Allen – full of New York angst bordering on neurotic and yet maintaining the innocence which Leo’s character demands.  Again, his stage presence and delivery through the songs was excellent and the two leads compliment each other perfectly both in style & harmony – excellent casting by the Director Martyn Knight.

The story, for anyone who still isn’t aware of The Producers, is about a failed Broadway producer whose accountant realises, quite by chance, that you could make money with a flop than with a hit -  in effect swindle all the backers into investing into a show so bad it closes on the first night without paying back any returns.  Leo leaves his job as an accountant (done with the best resignation song & dance) and together they forge a partnership to produce a complete failure.  Thus the plot is set to find & stage such a show, and they hit upon ‘Springtime for Hitler’ as the vehicle for their daring double cross.

Along the way they take on a Swedish secretary slash receptionist, Ulla, who is delightfully played by Claire Willmer with all the sultry allure and charms we’ve seen in other Swedish sex-bombs ( Britt Ekland & Victoria Silvstedt spring to mind).  She’s got it and she flaunts it perfectly.  They engage the services of Roger DeBris and Carmen Chia (a delicious Julian Cound and the campest of camp Chris Kelly) to direct the show and arrange the unbelievable choreography along with Roger’s production team. 

The show itself is Mel Brooks at his very best; how to offend as many people as possible and leave the rest wondering whether they should be ashamed to be laughing.  I wondered whether some of the bigger elements seen in the West End production would have to be sacrificed but I am delighted to say nothing was missing; the costumes, the lighting, even the over-head shot of the marching swastika were done with great aplomb. 

Huge credit must go to the whole Operatic society; this is not an easy show to produce & is very demanding from both scenery & timing, costume changes & music styles, but it was as good a performance as I have ever seen on this stage (and if you read my reviews you will see I have been quite a few times) and probably ranks in my top 10 anywhere.  The backing cast morph from audience, usherettes, old ladies, prisoners, dancers, accountants you name it – probably the most diverse set of characters you could ask someone to cover in one show.

Proving that you don’t need to go to London for excellent entertainment, Darlington Operatic Society’s The Producers is on at Darlington Civic until the 5th November – go & see it and I guarantee you’ll feel like the King of all Broadway.

Posted in Comedy, Darlington Civic, Music, Theatre | Tagged , , , , , , , | 3 Comments

Buddy Returns – the Buddy Holly Story at Darlington Civic

Posted on October 17, 2011 by andybramfitt

I have a lot to thank my Mum & Dad for; my sense of what is right & wrong, a confidence in the kitchen to try new tastes and a great appreciation of all types of music.  It’s true that our choices in music are probably very different now, but growing up, my brother & I were treated to the whole range of early rock ‘n’ roll, pop, country and 60′s contemporary.  One of dad’s favourites was Buddy Holly and although I knew a bit about his life and his songs, I wouldn’t profess to knowing the full ins & outs. 

The show is a great story of Buddy’s life from his initial song writing, his first radio play, first aborted attempts with a contract with Decca and how he & the Crickets finally broke into the national & international music scene.  What I hadn’t realised was the speed in which they turned out the songs – less than 3 years from start to tragic end and yet there are over 20 songs in this show, all of which are classic toe-tappers.  His speed in the music writing was only matched by his speed in courting – he proposed to his wife after knowing her for only 5 hours !  Of course, we all know about the terrible early end to his life in a plane crash; this too had a touch of the inevitable about it; they weren’t due to fly at all, but Buddy wanted to get to the next venue ahead of the rest of tour to help get things set up and so they chartered that ill-fated flight.

The production for this tour is wonderful with some great use of scene fades to help keep the sense of time in the studio moving along, while the stage shows are full of energy.  The depiction of Buddy & the Crickets’ 1st show at the Apollo Theatre in Harlem was wonderful & funny.  The musicians are all very tallented, nonemoreso than Roger Rowley who expertly played the lead with all the mannerisms, drive, passion and innocence that the great man was known for.  Of all the actors on show, however, one stood out for me – Felicity Chilver who played Buddy’s wife Maria Elena.  Maybe her Mexican accent had the slightest tendency to slip towards Welsh (which made it even more adorable) but that was completely forgiven by her captivating performance as ‘Mrs Holly’, not to mention that she is very, very cute !

Approx 95% of the audience were of an age who would have remembered Buddy Holly 1st time round and this became even more evident as the show moved towards it’s climax – a thrilling, high energy medoly of the best rock ‘n’ roll songs of the time.  Whilst there may have been a few stiff hips stopping too many dancing in the aisles, the singing was loud and the handclapping in complete unison.

If you enjoy live music, if you love rock ‘n’ roll and if you want to see a great story with a great cast then Buddy is most definately for you - it’s on all week at the Darlington Civic so get your tickets & Rave On ! 

As always, the Civic plays a great host, excellent sound & sightlines and very friendly & helpful staff.

Posted in Darlington Civic, Music, Theatre, Tour | Tagged , , , , | 6 Comments

Meze – Darlingtons Turkish Delight

Posted on October 16, 2011 by andybramfitt

For those who know me, you are aware how much I love Turkey – the people, the culture, the way of life and, of course, the food.  Spending many days exploring fish markets and fresh produce halls, bartering with traders or sharing an Apple Tea and watching the world go by, every visit to Turkey is a wonderful escape.

So imagine my joy at ‘discovering’ a little piece of Turkish Delight right here in Darlington.  We were pondering about where to go for a meal on Saturday night; we knew we wanted somewhere we could sit & chat, relax and share food as well as conversation so initially had thought about going for Tapas – that is until I came across a review for Meze, a Turkish & Continental Bistro in Parkgate, just up from the Civic Theatre.

Meze is wondefully intimate, there are only about 20 covers but this just adds to its charm, it is just like a traditional family lokanta in Turkey.  The smells of charcoaled meat, roasting garlic and heady spices beckon your taste buds to sit & try it all.  From the very friendly welcome we knew we had made a great choice, and our great choices continued as we chose our meals.

3 of us shared a meze starter – a wonderous smattering of turkish appetizers, all cleaverly served in iceberg lettuce leaves – we had stuffed vine leaves, filled peppers, minced lamb & rice, potato & aubergine salad, fried strips of liver, slices of spicey sausage, sigori boreki (feta cheese filo cigars) and plenty of houmous & yoghurt dips.  I kinda wished I had let my head rule my tummy by the end of that feast but alas no, so, as we ordered a refresh of Efes we awaited our Iskenders – chicken & lamb shish, kofteh, charcoaled lamb strips served on pitta pieces & smothered in spicy tomato sauce & yoghurt.  This was almost as good as the ones I had in Fethiye; I say almost, the only thing missing was the glow of having just spent a day in the 40 degree heat.

I made a point afterwards of popping up to the kitchen to say thanks to the chef – trying my really dodgy Turkish I (think) I said: thanks, how are you, it was very good, my name is (you get the style – very much beginners Turkish, just short of asking “which way is the station”) but the chef was great, really friendly and genuinely pleased that I had had a go.

Meze is open Mon – Sat 5pm – 11pm on Parkgate (same sife as the Civic) – you can book or call in, just be prepared to find me sitting there enjoying a Nescafe and getting lost in the smells & music of Eastern Promise.  www.meze.moonfruit.co.uk

Posted in Food & Drink | Tagged , , , , | 1 Comment

DrumChasers in the North East – a new masterpiece

Posted on October 5, 2011 by andybramfitt

You know, with all the social media, tweeting, facebook etc I honestly thought that the days of finding a new show for which I had no ideas, expectations or pre-conceptions was sadly over.  (To tell you a secret, all my life I have wished I had been in the audience for the first showing of the Rocky Horror Show, way back before the midnight costume parties and the huge cult following but alas no, I was destined just to be a follower.)

Well after tonight I honestly believe that in years to come I can stand proud and say “Yes, I saw it before they took the West End by storm”

Ethan Lewis Maltby’s DrumChasers is unlike any other show I have ever seen; a mesmerising blend of unbelievable drumming coupled with beautiful dancing all set to a futuristic tale of power, rivalry and love.  Actually, to say its all drumming is doing a grave dis-service to the whole percussion experience including some truly beautiful glokenspiel melodies.  This is story-telling-without-words at its best and it had me hooked from the first beat to the very last.

Georgina King’s choreography is wonderfully synchronised, evocotive and yet simple, but it’s not until you really watch the stage that you realise that it’s no mean feat to match expressive dance with demanding drumming & exacting rhythms.

Make no mistake, this is not a show of 10 drummers simply stood on stage; each character has their own story, their own personality which they bring to the fore through genuine acting (there is no dialogue at all which makes the story telling even more engaging) and very quickly you understand the premise of the show, even before Stephen Fry’s narration of the Noiseland Tale (written by Jenna Donnelly) comes in about half way through act 1.

The story, without wanting to give too much away, is about a race of people, the Drumchasers from Noiseland, who, through the loss of a worshipped relic become fractured and warring.  This relic finds it’s way to earth and is discovered by Mr Bennet, a stage caretaker (played wonderfully by somebody’s grandad – actually its none other than Mr Jack Warner).  His unwitting discovery prompts the Drumchasers and their guardian peacekeeper Weckl (deliciously played by the vampish Rachel Stock) to come to earth and continue their rivalry.  This is done through what I can only describe as battle drumming, a sort of dance off using percussion.

Through all of this we are treated to the impish mischief of Gene (played by Amy Kelly), the macho posturing of Blades & Vinnie (James Hulme & James Godfrey) and an age old story of two lovers from the opposite sides. Playing out like a futuristic West Side Story, Buddy (a very dishy Simon Morgan-Thomas, according to my daughter) and Eve (a very cute Stephanie Clarke) try to unite the two sides but as with all torn-lovers tales, it is far from easy.

As the story works towards its conclusion the beats become more frantic, the surprises get bigger and the choreography even more impressive (there’s a great scene set in almost complete darkness – honest, believe me!).  I won’t spoil things by telling you the rest of the show, ‘cept to say that you should really seek out this production, take the family and go lose yourself in the rhythm.

At the end, once the final curtain came down, there was a quiet sense of awe in the audience, almost like a collective reasoning, like we had shared a moment.  We probably had as no-one truly knew what to expect, yet everyone agreed it was awesome.

There have been some iconic shows which define or even create their own genres; Riverdance, Cirque de Soliel,  The Mousetrap, We Will Rock You – I believe that we have seen another tonight which could do the same – it truly is that special that I urge anyone to treat themselves and go and see it.

**********************************************************

Added 8/10

Just back from watching the DrumChasers at Durham Gala, a fabulous venue and perfect for this show, the acoustics were spot on and the view (we were sat at the back of the stalls) meant we could truly appreciate the wonderful precision playing, especially the 2 James on the miramba. 

Its funny how much more you see when you watch a show again; I guess the first time I was quite unprepared for it all, whereas this time I could really take it in – I hadn’t been aware of how much was going on on the gantry at the back, especially with Weckl.  Word of Warning – I honestly believe that following Rachel Stock’s hips could give you whiplash !

Anyway, the show is on a break now, but is back touring towards the end of October so check out their web site for details – www.drumchasers.co.uk and  keep chasing drums.

Posted in Darlington Civic, Theatre, Uncategorized | Tagged , , , , , , , , , , , | 8 Comments

The Verdict is in – it’s a hit

Posted on September 28, 2011 by andybramfitt

 

I have to admit that whilst I profess to being reasonably literate and enjoy a wide range of reading material in the bookcases at home, I have yet to enter into the realms of Agatha Christie - no particular reason, I’ve just found more appealing titles grab my attention first. 

Of course I am aware of the blockbusting films based on her famous novels but Monday night presented the opportunity to sample first hand a play written by Ms Christie specifically for the stage.

Verdictis very different from the standard fayre associated with Agatha Christie; for one, it is not a whodunnit, we are presented first hand with the situation & witness the act with no sense of mystery.  It is more like a melodrama but this in no way detracts from the exquisite word play and character depth.

The play tells the story of Karl Hendryk, a brilliant professor who, with his wife and her cousin, have fled persecution in their country. The professor is happy to devote his time to life in a British university, where he becomes much sought after by students & teachers alike. His wife, Anya, is an invalid who resents having to leave her home & follow her husband to London.  She readily recognises her dependency on her husband and cousin, Lise, and teeters on the brink of suicidal tendencies. Whilst Karl and Lise have suppressed feelings for each other their love for Anya prevents them ever acting on these however when a rich young rich student, Helen Rollander, takes on private lessons with the professor the status quo is permanently upset.

The story plays out completely in the professors flat, there are no scene changes; this really draws you into the characters’ world and adds to the intensity , especially when Anya laments being ‘trapped’ in a dull & soulless place. 

The cast, who arguably have much less to work with than in other Christie productions have, in my view, more scope to deliver themselves into the parts; the lack of plot twists, secrets and subterfuge demands more emotionally charged deliveries to keep the story moving and Monday’s players did not disappoint at all. 

Robert Duncan plays the man who loves 2 women and is loved by 3 with an almost innocent ‘absent minded professor’ approach creating a beautiful yet pitiful vulnerability.  Susan Penhaligon  delivered an emotionally charged Lise beset with frustration, devotion and despair – of all the productions I have seen this year Susan’s was undoubtedly the most moving.  Holly Goss, as the spoilt little rich girl Helen Rollander provides a wonderful twist on the femme fatale whilst Mark Wynter as Dr Stone adds pace and friendly direction through Karl’s emotionally intense musings.  Just to balance this seriousness, Elizabeth Power’s house keeper Mrs Roper has a wonderful timing, cutting through the tension as she ‘eases the burden’  of there being too much tea in the house.

If you’re looking for a classic Christie murder mystery then this is not for you, however if you want a wonderfully engaging play, more a why-do-it than a whodunnit, and delivered by a great cast then look no further.

Agatha Christie’s Verdict is at Darlington Civic Theatre from 26th Sept to 1st October

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Oh so sweet FA – Fascinating Aida and the Cheap Flights Tour

Posted on September 26, 2011 by andybramfitt

Sunday nights have always been a bit of a bore to me.  First it was the bath & early night before school, then the lull after a fun weekend before the drudgery of work, and finally the end of Super Sunday live football with only Countryfile to keep me from bed by 9.  Last night, however I had the best Sunday night of many a year, setting the bar impossibly high to beat and in the process introducing me to an absolute gem of an act.

I must admit, I only heard about Fascinating Aida when a friend sent me a link to “Cheap Flights” on YouTube – by that time the clip had gone fungal (!), so when the chance came to go and watch them live it was with intrigue and anticipation that I arranged the tickets.

From the first minute to the last of 2 hefty encores, the 3 ladies of mirth & musical merriment delivered the upmost in comic & satirical wordplay to give Flanders & Swann, Stephen Fry, Victoria Wood, Monty Python, Mel Brooks and Richard Digance (yes I still remember him) good reason to hang up their quills, put away their pianos and accept that they have been completely usurped.  (Sorry Stephen, you’re still my favourite presenter but even you cannot match three lovely ladies on stage)

Founded by  Dillie Keane in 1983 and joined in 1984 by Adele Anderson, Fascinating Aida have been successfully touring the world for over 25 years, delivering their blend of cutting satire with operatic harmonies and quint-essential devilment.  Now assisted by Sarah-Louise Young (who, by Dillie’s own admission, halves the average age of the group) we were treated to the full array of melodious mischief including songs about Dogging, the Economy (for which I daren’t disclose the title for fear of reproach by my mum), Modern Art, the aforementioned Cheap Flights and a wonderful exploration of the nuances of Bulgarian folk music.  The musical scope didn’t stop at thematic harmonies, there was Dillie’s wonderful Hip Hop omage to keeping up with the kids, Sarah-Louise’s lament for the previous nights ‘rendezvous’ and Adele explaining how to be German. 

In these times of austerity and reduced disposable income, when times are bad and spirits low, when the world is teetering on the brink of a double dip, I can offer this suggestion; forego eating for a week, pass up the chance to buy those new shoes, stop the kids pocket money for a month – in fact, do anything to make sure you can buy a ticket for this show – the impact will be far reaching, the smiles long lasting and the glow of inner happiness….. who am I kidding, just go and watch 3 super talented & utterly charming ladies verge on dirty and forget your troubles for the night.

This was a night of firsts for me; it was also the first time I had been to the Journal Tyne Theatre, formally known as The Stoll.  What a wonderful theatre, full of character retaining all the charm of an old music hall and filled with the essence of hundreds of years of performing.  I doubt, however that it had ever played host to such a compelling & embracing example of cabaret which completely enthralled the audience.  A special thank you goes to Phil, the duty manager, who personally ensured that my brother & I had a very comfortable 2nd half.

Fascinating Aida The Cheap Flights Tour is showing throughout the UK for the rest of the year cumulating in an extended stay at the Charing Cross Theatre, London from 8th December to the 7th January – I will actually be booking a trip to London just to make sure I get to see the show again !

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Strange things are afoot at Psychic and Science

Posted on September 25, 2011 by andybramfitt

I love scary movies, ghost stories and tales of the supernatural; Japanese films like Ju-On, The Grudge and Ringu with their basis on spirit, vengeance and unfinished business are my staple fayre for a Saturday night.  Likewise local tales of the unexplained grab my imagination completely, but if someone was to ask if I was a ‘believer’ then I would probably have to say not quite, not yet anyway.

  I guess that because for work I deal with facts, figures and exact things, the prospect of things I can’t explain really fascinates me. I am not someone who tries to rationalise these type of thing either, just very happy to live in the moment and keep an open mind.

So, when I saw the opportunity to go to Darlington Civic theatre to watch the Live Psychic & Science show I was immediately intrigued; how would a theatre full of watchers respond to a stage show offering live seances, a human pendulum and many more.

Hosted by Paul Gannon and calling on the expertise of TV medium Chris Conway, paranormal investigator Denise Mott and paranormal historian Richard Felix, the calibre of our earthly guests was impressive.  (as anyone who has watched “Most Haunted” would agree).  This was only the 2nd show in the tour and some of the technical solutions were still being fine tuned (although in this type of show, any interruption to the ‘norm’ could be attributed to interference by other visitors)

Paul proceeded to introduce the show and set the scene for what we were about to enjoy – the theatre was going into lock down (a great phrase which immediately heightened feelings), that Chris would be protecting the audience and should anyone feel unwell they should make it known to Denise who would be amongst the auditorium.

We were to be treated to a Ouija Board, a seance, a human pendulum, a lone vigil and many more exercises in exploring the spirit side of this old theatre, but what really worked for me was the small interjections by Richard who, as a paranormal historian, brought some local focus and a degree of explanation to the evenings activities.  Richard had explored the history of Darlington, the town and of course the theatre and was able to add stories from the past which really gave a grounding to the spirit interaction we witnessed.

I will resist the temptation to take you through each part of the show in depth; for anyone who is thinking of going to see this show it would be unfair to remove the cloak of the unknown but as each venue will be different I can let you in on a couple of specifics.

Throughout the show there were very strange feelings; icy blasts of air (and it’s a very old theatre so it wasn’t the air conditioning), a sense of being watched from behind, I had the distinct feeling of a hand grabbing the back of my neck (and there was no-one in the row behind) and regular emotions of unease & almost sadness.

Through the Ouija board (which was guided by 9 members of the audience and Chris) we made contact with the spirit of a stage hand who hanged himself in the theatre.  Chris was also able to guide the spirit of a little girl who lost her life in the theatre (the question “were you murdered?” received a very definite Yes response from the board and an audible gasp from the audience). 

The human pendulum, in which a member of the audience volunteers to allow themselves to be moved by spirit in response to Yes & No questions was possibly the most intense as the messages which came through were very personal to another member of the audience, someone who was looking for some closure and hopefully she got it (it was very moving to witness).

The show moves at a great pace, which only serves to intensify the feelings when the focus stops on one specific entity.  At times there were many different happenings all at once – spirits both upstairs & down, unease in the theatre box, the lone vigil on the overhead screen as well as the guided interaction through the group on stage but Paul manages very well to keep everything together without it feeling chaotic (having said that, spirits are a law unto themselves so they won’t always stick to the ‘running order’). 

Richard explained, there are 3 types of people – believers, cynics and sceptics.  Believers welcome any opportunity to interact with spirit, cynics are out to disprove, debunk or at least refuse to accept there could be a spirit world,  whereas sceptics have yet to be convinced but are open of mind. 

I entered the show as a sceptic; I like to think I have an open mind but I also like my own proof before truly accepting.  I left the show with more questions than answers yet leaning very much towards being a believer.

The Psychic and Science Tour is on throughout the rest of the year across the UK.

http://www.psychicandscience.co.uk/#/the-show/4547095962

Posted in Darlington Civic, Haunted, Theatre, Tour, TV | Tagged , , , , , , | 3 Comments

January, February ?.. any month is great for The Calendar Girls

Posted on September 13, 2011 by andybramfitt

Cast Photo

What do you get if you blend the cream of British actresses, icons from the stage & screen, comedic genius and a heart warming story made all the more amazing because it was true ?? No, give in ? Then I will tell you – Calendar Girls at the Sunderland Empire.

The hit film, based on the true story by Tim Firth about a group of WI ladies determined to raise money by producing an ‘alternative’ calendar was a huge international success and has undoubtedly been one of the reasons for the continued ‘sold out’ signs across the nations’ theatres. That said, this stage production brings an added element to the experience which the celluloidversion misses; with this wonderful cast the emotions are truly palpable, the laughs shared with everyone and the tears are very real.

The main drive of the story, Annie & Johns final days together, was heartwarming and heartbreaking in equal measures – wonderfully portrayed by Jan Harvey & Joe McGann. Playing off against this was the rest of the WI and their playful ribbing of each other while trying their best to sabotage Marie’s (Ruth Madoc) attempts to impress Lady Cravenshire (Jane Lambert). The passage of time, cleverly portrayed by using key social occasions through the year gave more opportunities to watch the characters – my personal favourite was Debbie Chazen as Ruth; her forays into costume comedy and her ultimate dismissing of the make up artist were pure gold.

I loved the intimacy& realism with which each character shared their own response to the idea of being nude (not ‘getting naked’ !!). Vodka, cream buns, marmalade & knitting needles all play a part in giving the ladies the modesty (or courage) they needed. Then, coupled with wonderful comedy timing, the process of actually getting their shots done was a riotous laugh fest which had me literally gasping for breath and almost begging for them to stop.

The second half of the show delved into the dangers & pitfalls of letting celebrity take over from one’s initial scruples but it was done in such a way that you were never left hating any particular character. Chris (played by the delightful Lynda Bellingham) teetered on the brink of abandoning all in the pursuit of her chance in the spot light, especially when offered the opportunity of filming an advert, but it was the announcement of the final total raised which gave her the ultimate sense of achievement.

I must admit that looking around the theatre it was probably an 80/20 split of ladies to men – and I am not really sure why. The show is clearly not a’feminist’ story; it’s about life, love and making a difference. Likewise, it’s not full of female nudity which some men might fear would label their attendance as slightly ‘pervy’ – it is a celebration of what can be done when you strip away any inhibitions (please pardon the pun).

What was evident was that all the gents were enjoying the show equally as much as their lady companions. So if there are any guys reading this who are unsure, or who have been bought tickets by their partners and are due to go and watch – fear not – you are in for a complete treat and a fabulous story played out by a true celebration of great British actresses.

Cast Photo

The Calendar Girls, by Tim Firth is on at Sunderland Empire until Saturday 17th

Posted in Calendar Girls, Comedy, Sunderland Empire, Theatre, Uncategorized | Tagged , , , , | 1 Comment

Na na na na Batman !!

Posted on August 1, 2011 by andybramfitt
My friend & I took his 8 year old son to see Batman Live at the Metro Arena and whilst us adults had a good evening, it was more geared up for the children, the show even started at 7pm so that more youngsters could attend before bedtime.  So, rather than me write a review, here is the little one’s verdict: it was great!
The stunts were amazing and the batmobile was stupendous. The Joker was not funny at all even though he tried and Harley called him Mr J which was funny.
I loved seeing all the bad guys and then Batman and Robin beat them all.
 
All the main villains were there with the Joker leading the pack, Catwoman, Riddler, Penguin, Poison Ivy, Two Face, Scarecrow and Harley Quin all working together to try and kill Batman.
Intertwined it told the story of how Batman and Robin came together and inevitably both beat all the bad guys.
The action scenes were a bit slow and staged in the first half, but it did get slicker as the show went on. With gymnasts and acrobats all using high wires and trapezes the show had a lot going on.
The sets were excellent with an ever changing backdrop throughout and the batmobile got a huge cheer as it skidded to a halt.
 
There was no batman theme, no biff or thwack nor a fist in the palm accompanied by a “Holy cheddar” comment from Robin and both Derek & I did miss those cheesy bits from our childhood but it was a thoroughly entertaining show in the mould of the more recent cinematic versions. And the kids all seemed to love it
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Taking aim at Darlington’s Gentlemen and Lady Archers

Posted on July 24, 2011 by andybramfitt

 

collecting arrows from the targets

Howdy everyone- I hope you’ve had a great weekend and enjoyed the return to summer weather.

How did you spend your Sunday morning ? A lie in, breakfast in bed, read the papers, drink coffee and eat croissants or maybe a little more energetic and had a jog / swim / bike ride ?

Well I fulfilled one of my lifetime’s goals and I went and had a go at archery.  As part of the celebrations of only 1 year to go to London Olympics, the Gentlemen and Lady Archers of Darlington played host to an open day – a chance to have an hours try out, talk to some of the members, understand the safety and protocols of Archery and even fire a few arrows.

Based at the Head of Steam Railway Museum in Darlington, I booked onto the 10am session and, at only £5 for an hour, was very much looking forward to seeing how close to Robin Hood I could get.  ( I stopped short of wearing green tights, not because it would have been embarrassing but because I was wearing blue and “blue & green should never be seen”….  apparently !).

Very warmly welcomed by Allen Roberton, the club secretary, there was only me and 1 other ‘virgin archer’ who had managed to get out of bed early, but that gave us a wonderful opportunity for some dedicated coaching & 1-2-1 advice.  Along with 2 members of the club (Andy & Steve), Allen took us through the safety precautions, rules & etiquette of shooting.  We then went through the basics of stance, grip and aim, all the while having every opportunity to ask questions.  It was then time to fire at the target.

We were using re-curve bows, powerful but forgiving compared to the more professional compound bows. My first 3 arrows all found the target with one even getting into the inner red (1 away from the centre gold areas).  I have to admit, I was quite excited before going, but a little nervous as I had always wanted to try and would have been very disappointed if my hand/eye co-ordiation had let me down.  But that wasn’t the case at all – with a little more practise I was managing to keep all 3 arrows relatively close together – grouping – and one time I actually had 2 arrows touching (beginners luck, but still a little thrill to see as I approached the target)

All the time we had encouragement, advice and friendly conversation which all added up to a great hour & 1/2 and certainly convinced me that I want to join the club and enroll in a 6 week beginner course.

Having had to end my 5-a-side sessions and all-but stop playing golf (both due to my knees finally falling foul to the rigours of too much too young) I truly believe that I have found a sport in which I can be competitive with myself, enjoy the social side of being a part of a club and have a great conversation piece – me & Errol Flynn, lol !!

Of course, Archery is a very competitive sport with a very busy calendar of events (which in themselves are part tournament and part social gathering), not to mention the main event; the London 2012 Olympics which will give us all chance to watch the worlds best demonstrating all aspects of competitive archery.

I would urge anyone who has thought of having a go to get in touch with Allen who I am sure will be very happy to give you some advice & place you on the GLAD register & waiting list for a beginners course.

The Gentlemen and Lady Archers of Darlington can be contacted through their website http://www.glarchers.co.uk/ which also has tonnes more information and a gallery of previous events.

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Behind the scenes at BBC Newcastle

Posted on July 17, 2011 by andybramfitt

For most of my life BBC North East has been the thread with which my day has been woven; BBC Radio Newcastle breakfast bulletins during the snowy days hoping that the school would be closed, the “It’s a Goal Show” on a Saturday afternoon (and the unbearable tension of who has just scored), the unparalleled news coverage of all things local and of course the breaking sports stories of Keegan, Mirandinha, Cole, Shearer and Beardsley.  Added to this were more national stories; Prince Charles & Lady Diana were in the North East when they broke news of their divorce, the opening of Europe’s largest shopping mall – The Metro Centre, The Great North Run and right up to the chase and standoff with Raul Moat - all these stories have had national and international impact and were all captured and ‘broken’ by BBC Newcastle.

Of course, there is so much more to BBC Newcastle than simply the local news & weather;  Byker Grove, Inside Out, The Politics Show and many more all are testament to the quality & diversity of our regional productions.

So, when we got the chance to take a tour around the ‘Pink Palace’ to see how these TV shows & radio programmes are produced we jumped at the opportunity.  Situated just north of St James Park on Barrack Road, it’s really easy to find the broadcasting headquarters.  We went on a Saturday for the 13.30 tour and, along with a family from Stamfordham and a couple from York we were warmly greeted by our tour guides for the afternoon.

Sarah & Jessica were a very welcome, friendly and smiley sight on a dismal afternoon of rain & wind and they very quickly made us forget all about the outside weather.  Both girls are very knowledgeable about all things ‘Beeb’, as well as having great insight into broadcasting in general.  Sarah is in fact a budding playwright (having already had a play produced at the Theatre Royal and a commendation for an upcoming novel) while Jessica is already a successful Look North researcher and reporter.

Our tour started with a look back in time to see how BBC Newcastle first started and the key people and changes along the way.  From here we were taken into the archive room to see just how big the library of previous news, reports and programmes BBC Newcastle keep.  As Sarah explained, the intention is for this huge collection to eventually be digitised and made available through the BBC On-Line service – no small task when you think that there is over 45years of regional news as well as all the ‘rushes’ of outside broadcasts and interview. 

From here we were given a great insight into the use of ‘greenscreen’ technology (or, if I remember what the girls said, it is Colour Separation Overlay – CSO) in a cosy studio used during the week for travel reporting – we too were Gilly Hope stood above the A19.  But if we were impressed by this technical box of delights then the next stop was really going to grab our breath.

We were taken through the news room, through some thick, soundproof doors and into the main studio – and what an impressive set up this is.  The studio, complete with 80 huge ceiling-hung lights, is set up as the BBC regional news desk, the weather board and the ‘sofa-corner’ used for the evening Look North. In here we were given an overview as to how the studio was built, how the scenery and backdrops work to give the impression of a news-desk behind and how the weather presenters interact with the graphics.  We got to sit at Colin’s news desk while reading the autocue and realise that sometimes it’s only him in there, all on his own, automatic cameras and no tea/coffee boy.  We all had chance to have our pictures taken before we left the studio and followed Sarah into the control gallery.

This is a technical Aladdin’s cave with vision mixing, sound desk and the producer & directors control areas.  All through this both Jess & Sarah were giving us commentary as to how the team come together on broadcasting day, who takes the lead and just how tight to the wire things can get.  These girls are great; they obviously have fun doing the tours and no question is too daft or simple for them.

We then left the TV area and headed into BBC Newcastle – just as we were leaving the Green Room and going into one of the empty radio studios to take a closer look we were enthusiastically beckoned by Jonathan Miles (usual presenter of the mid-morning show and, despite a very ‘active’ night, admirably stepping into the breach to cover the Saturday afternoon slot) to come into his studio while live on air.  If you haven’t listened to Jonathan before, he normally tackles very thought-provoking issues in a completely unique style, but this afternoon he was in a relaxed and somewhat mischievous mood.  In between announcing tunes and time-checking he explained how he learnt his craft (naming Kenny Everett and Mike Aspel) and how the play lists are now all pre-defined – mainly by groups of women being asked to pick their favourite songs – no wonder I keep hearing Boyzone, Take That and Daniel O’Donnel!!!

Bidding adieu to Mr Miles and leaving him to take the listeners back to a mystery year, we concluded our tour with a little something special – I am not going to tell you what as it was a great surprise for us and it’s best that you too have that to look forward to.

This was a wonderful way to spend a few hours in the company of two charming & delightful guides. I would urge anyone who has ever watched a BBC Newcastle show or listened to the BBC radio to book a tour, it’s a unique chance to see behind the scenes of OUR regional broadcaster.

Thank you to Sarah & Jess and good luck in your future productions.

BBC Newcastle Tours are available on Tuesdays & Saturdays at either 10.45 or 13.30 and can be booked through http://www.bbc.co.uk/showsandtours/tours/newcastle.shtml

As BBC Newcastle is a working environment, the different times & days for the tours will mean various things are happening through the week – we went on a Saturday & I am definitely going to book again for a Tuesday to see how things change.

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Thriller Live at Sunderland Empire

Posted on July 12, 2011 by andybramfitt

Some artists lend themselves to great tribute acts – Gary Mullens as Freddie Mercury springs instantly to mind, not to mention the thousands of Elvis copies currently touring the world, but there’s no-one, no-one on earth who could possibly try and recreate the King of Pop, Michael Jackson.  And this thought played very heavily on my mind as I took my seat at Sunderland Empire to watch Thriller Live!.

I was desperately hoping that I wouldn’t be subject to a ‘Stars in your Eyes’ type attempt at recreating the unique genius of MJ.  I was almost fearful of having to watch a ‘karaoke style’ gambol through some of the best pop, rock & soul songs ever written.  I was …. well to be honest, I was worrying about nothing.  From the first explosion on stage this was a fabulous homage to Michael Jackson, delivered by a group of extra-ordinary artists and dancers who obviously love the style, magic and presence of Jacko without ever trying to ‘be’ him.

The show starts as a ‘HIStory’ lesson into how the Jackson 5 formed, their first forays into the pop scene and the Motown classics on which they cut their teeth.  Fantastically led by Blaze Ellis Porter (a pocket dynamo of amazing soul & stage presence) we were treated to such classics as ABC, I Want you Back, I’ll Be There and The Love you Save.  Accompanied by exciting choreography and cutting edge technical stage scenes, this was the first time I have ever been up, out of my seat dancing so early in a show.

As we moved forwards in time, ‘Michael’ changed into a young adult and the songs changed too – Another Part of Me, Shake your Body and Blame it On the Boogie all grabbed the disco funk of the late 70’s – with a wonderful New York disco scene adding to the party atmos.

By now I had watched all the dancers and noticed that one or two were exceptionally adept at performing some of the MJ signature moves; the little hitch kick, the toe spin and the side-slide (but not he moonwalk, well, not yet anyway).  Jermaine Johnson, Aaron Witter and Magnus Ainang in particular were amazing, uncannily capturing the essence, style and pizzazz of MJ.   Of the girl dancers, Crystal Hantig was superb, she managed to morph her style and attitude to match each different song & era perfectly and definitely got a very starry future ahead of her.

Smoothly progressing into the ‘Off The Wall’ period, the hits kept coming (well, it was a MJ catalogue so there were never going to be any dull moments) and the routines, staging and choreography meant each song was given its own accompaniment without any delay.   To be honest, it was almost like watching a series of music videos; music video where the artists  constantly look to get the audience involved in the often riotous production – the quality was first class, the music was played to perfection by the band and the stage delivery was like a well scripted movie.

The lead singers changed regularly, each having the opportunity to put their own blend and style on the Jacko songbook.  On the whole they were all excellent, although I was somewhat a little puzzled by the casting of Nathan James.  Nathan is a hunky sort of a guy, not the stereotypical MJ build, nor is he blessed with the dancing prowess usually associated with the delivery of these songs.  Also, Nathan seemed to struggle to contain his obviously powerful voice, especially when giving us his rendition of Out of my Life.  Undoubtedly talented, I’m not sure that this was the right show for him.

I won’t go through the entire play list; to do so would spoil the excitement of hearing a riff or hook from a song well before it has been mixed in and delivered.  Likewise the staging and production really has to be seen to be believed.  I will, however point out that the second half was spent entirely on our feet, clapping, dancing and singing along to Smooth Criminal (in which we were treated to the ubiquitous Moonwalk and the famous ‘leaning’), Man in the Mirror, Billie Jean, Beat It, Bad and of course Thriller !

The evening concluded with a nonstop reprise of songs & dances in which the cast let loose and just ‘jammed’ while the audience lived it up, longer & louder.

If you like Michael Jackson, like his music, like his dancing, like his showiness, then I urge you to come and see his legacy – this is about as good as we can possibly get now the great man has gone, it’s no replacement but it’s a great substitute.

Thriller Live is on at Sunderland Empire from 11th July to 16th July.

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Phil Cool at the Empire Theatre, Consett

Posted on July 11, 2011 by andybramfitt

I wonder how many people can remember TV comedy in the early 80′s ? Spitting Image, The Young Ones, 3 of A Kind, Black Adder ?; very funny shows written by teams of comedic experts and delivered by some of the country’s finest TV show comedians.

But for some of us, the early to mid 80′s TV laughs were best delivered by stand up and one of my favourites was Phil Cool – billed as the Man of a Thousand Faces, Mr Rubber Face and the Master of Mimicry, Phil brought a competely unique take on the one man comedy routine. Not content with being a very good voice impressionist, Mr Cool was also the only man in the world who would also morph his face into a perfect resemblance of the public figure he was portraying.

Not seen before or by anyone else since, Phil Cool brought us the amazing skill of Faceology which just had to be seen to be believed, so when I found out the he was playing in the North East I had to watch again this one man cast of thousands.

The Empire Theatre in Consett was to play host to the evening’s show. I hadn’t been for over 20 years and since then it has been completely renovated into a fabulous theatre in every way. It’s not a huge venue and this immediately adds to its charm; the entrance, box office and lounge bar are all friendly & intimate – non of the stuffiness that can be found in many older and larger establishments – with the staff all making you feel very welcome.

The auditorium is a brilliant layout – it is wider than it is deep which keeps more of the audience closer to the stage. The sightlines are all perfect and the seats are very comfy with bags of leg room. I have been a bit spoilt recently with trips to both the Gala in Durham and then this theatre putting paid to the thoughts of being cramped up in tiny seats like a tourist on the night train to Dehli.

So, the stage was set with a table of props, guitar and a few glasses of water. As the start time rapidly approached I eagerly glanced around, keen to see how many more of my comedy brethern were making the same timetrip – oh dear, at best there was 80 people in their seats. Such a shame that more people didn’t have the chance to enjoy an amazing night in a wonderful theatre.

Phil came onto stage to the loudest applause we could must with such small numbers and he very quickly recognised that this wasn’t the Hollywood Bowl or the O2 – but from the first gag to the last impression he played as though he was Live at the Apollo (a gig in which he would surely show up all our current heavily scripted gag deliverers)

Taking us through tales of his childhood, past gigs, his TV series and a few songs & ditties we were all enthralled to the point of almost being too quiet for a comedy audience. Keeping it very informal, Phil even insisted that he may try some brand new material and if we didn’t find it funny we were most certainly NOT to laugh !! The first half rattled by – always a great sign of an entertaining act and during the interval my Dad got chatting to one of the volunteer usherettes only to find that her son in law had bought my dad’s car from him 30 years ago.

The second half was a return by Phil to his visual excellence – he explained that he spends hours practising in front of the mirror working on controlling his facial muscles into changing into his targets of mirth – he then took us on a history tour of Rolf Harris, Bill Clinton, GW Bush (which was so uncannily accurate that I felt myself staring, trying to see Phil’s real face and being completly unable to), a mute Tony Blair (if only, if only), his sparring partner Gordon Brown and then Wallace from W & Grommit. An amazing re-write of Churchills famous ‘Fight them on the Beaches’ speach complete with a flawless Sir Winston (and a quick cameo by the Insurance Dog) followed and then a few more songs (including Johnny Cash) to end the show.

If you DO remember Phil, then do yourself a favour and check out his latest show – if you DON’T know Phil, then check out his videos on YouTube and then go and book your tickets – I guarantee you will love it.

A word on the venue – the Empire in Consett is an amazing theatre, perfect for any show but most certainly for stand up as the ambience is almost like a comedy club – the audience is so close to the stage and as I mentioned before, the stalls are wider than they are deep which gives fantastic sightlines as well as a feeling of wrap-around audio from even the slightest whisper.

The staff are wonderfully happy to be there with a genine warmth and open embrace that you don’t feel like a visitor at all. After the show, while I was waiting to meet Phil Cool, we got talking to Ann & Gill who were serving on the bar and ticket office. Ann & Gill are delightful – they are Consett ladies with a twinkle in their eyes and a laugh to share. I was actually born in Consett and spent my first year & half living on Medomsley Road while Mum & Dad were police officers in the town & surrounding area. We spent about 20 minutes chatting about the area, sharing memories (well, Dad shared memories, I only remember a bottle & a pram) and we left as though we had just met long lost friends.

I always look out for the listings to see which shows I fancy seeing, but now I shall make a direct line to the Consett Empire website to see how quick I can go back. Hopefully I will see you there too….

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Roy Orbison – In Dreams ? In Newcastle ….

Posted on July 9, 2011 by andybramfitt

Howdy folks

Over the past few weeks I have been very fortunate to see a wide & diverse range of musical acts all serving to widen my appreciation of the recording artists and helping me to relive my youth or share in the living of my daughters youth.

In my quest for continuing this I ventured back in time to a period (way) before I was born – The 50′s & 60′s !  Accompanied by someone who could give me a much better critical appraisal of the fayre on show, my Mum & Dad, we made off to the Tyne Theatre in Newcastle for a night of Rock ‘n’ Roll legends.

The show is billed as The Voice of Roy Orbison, and, supported by ‘The Everly Brothers’ and ‘Buddy Holly’ promised to be a blast from the past from 3 of the eras best known and well loved acts.

There are many tours on at the moment; lots of them are the actual original artists who are still playing to their fans, bringing their hits back to stage and doing their very best to recapture the atmosphere and stage presence of the ‘first time round’.  Unfortunately these artists, whilst still masters of their trade, are often showing the effects of time (don’t we all) – lets be honest, an artist who in 1963 was bouncing round stage, belting out their top 10 hits would now be almost 50 years older; the legs, the eyes, the voice all will have suffered (except for Tom Jones) and sometimes this leaves the audience lamenting the passing of time and comparing them to the recordings of the past.

For this show we had artists who were still very much able to not only give an amazingly accurate recreation of the original artists, but who also were able to maintain the energy and strength to ‘own the stage’ with movement, charisma and presence.

For over 2 hours we were treated to an amazing rendition of over 40 ‘hits’ – and, contrary to the current music climate where selling 150 singles from the back of a Vectra Estate at a Sunday car boot warrants entry into that weeks charts, these hits were ALL classics.  The audience were quite an eclectic mix of ages, group demographics, styles and fashions proving that real songs cross all boundaries.  The fact that many of these tunes have become almost anthemic through their use in TV, Movies and even Adverts just goes to further prove that form is temporary, class is permanent.

Anyway, back to the show – The Everly Brothers, who tonight were played by Geoff Bate & Colin Fidoe were completely in character as the two brothers from Brownie, Kentucky – (so much so that when we met them at half time and asked where they really came from they still maintained it was the Bluegrass State, despite them actually hailing from Wolverhampton !).  Geoff & Colin are seasoned pro’s on the music tour scene having played in their own bands, as solo artists and even line dancing shouters before they harmonised their talents into ‘The Everly’s Experience’.  They have spent hours meticulously recreating every detail of the toothy two-some, the hair, the costumes, the guitars and of course the songs; everything from ‘Bye Bye Love’ and ‘Wake up Little Susie’ all the way to ‘All I Have to Do is Dream’, ‘(’til) I Kissed You’ and, prophetically, ‘Claudette’ which was penned by Roy Orbison and given to the boys to record 45 years before this show brought The Big O and the brothers back together.

Ask anyone if they know Tim Harwood and I would expect all but his mum to answer ‘Who ?’ ….. but there are thousands & thousands of people who have watched Tim in his many forays into stage, screen & music.  Tim has toured as a dancer, been in the West End with Michael Ball & Jason Donovan, has an extensive Musical list (Grease, Fame, Joseph, Rocky Horror, Blues Brothers, Chitty Chitty…) has played Elvis in Bill Kenwright’s national tour and even starred in George Lucas’ Star Wars Phantom Menace.  But, in the famous words of a Saturday evening, “Tonight Mathew I will be….. Buddy Holly” …and he was !

Playing one of the founding fathers of Rock ‘n’ Roll, Tim delivered Buddy’s full repetoir of guitar lead ‘Western Bop’ which has formed the bedrock of almost all genres of popular music ever since.  Complete with Buddy’s trademark NHS-style specs and perfect in his stance and rhythyms, we were treated to a catalogue of pop-tastic, foot-tapping, hand-jiving classics including ‘Everyday’, ‘Peggy Sue’, ‘That’ll be the Day’, ‘Rave On’ and ‘True Love Ways’.  The fact that Buddy died all the way back in 1959 aged only 22 and yet his music and legacy is still as strong today as ever, is testament not only to the originals genuine brilliance but also Tim’s amazing talents.

Finally it was time for the headline act and again another artist whose overall impact on the music scene was most certainly greater than the sum of its parts. Roy Orbison was an amazing song writer, performer, poet and producer who made soulful, lost-love, almost manically depressing ballads into mainstream mega-hits.  His vocal range was unbelievable; from deep, smooth, velvety tenor all the way up to a belting falsetto.  Elvis Presley once famously declared that Roy Orbison was ‘the greatest singer in the world’.

Not an easy feat to replicate but in Damien Edwards we had an absolute masterclass in vocal ability.  Damien is a human minah bird when it comes to stars of the late 50′s and early 60′s – he has starred as Elvis Presley, Ritchie Valens, Del Shannon and, in his biggest and longest staged role, Roy Orbison.  He has also performed in an eclectic theatrical & TV mix including Captain Walker in the Who’s ‘Tommy’, Parson Nathaniel in ‘War of the Worlds’, an irate cabby in ‘Doctor Who’ and even a drunken lush on BBC2′s ‘See Hear’.

Roy Orbison’s hit list includes ‘Only the Lonely’, ‘It’s Over’, ‘Crying’ (which was brilliantly parodied by Jim Broadbent in an episode of Only Fools & Horses), ‘Pretty Woman’, ‘Blue Bayou’ and umpteen more which have subsequently been covered by artists such as Linda Ronstadt, Don McLean and even Van Halen.  And Damien gave every one the Big O treatment.

The finale of the evening saw all the artists take to the stage together to complete an amazing medley which had everyone up out of their seats, singing & dancing and genuinely enjoying a wonderful end to a fabulous show.

My dad said that as each act came on stage, if you closed your eyes, you really believed that it was the originals that were there; the originals from the 1950′s, backed by their original bands and singing with the original, naive excitement of people just doing it for their love of being heard and making people happy.

I have to admit, while I would never profess to be much of an expert on music of the 50′s & 60′s, I recognised almost every song and surprised myself as to how many I actually knew the words to.  A great show by a group of artists who are truly phenomenal in their craft – if you like live music, great pop songs and are aged between 8 and 108 then this is one show you will certainly be sad when ‘It’s Over’ !

Many thanks to Mum & Dad for helping in this appraisal & their feedback on the show’s authenticity (I wasn’t around for the originals ;-)

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A Night at the Opera in Darlington

Posted on July 5, 2011 by andybramfitt

Had anyone previously asked me whether I fancied ‘a Night at the Opera’, I would have thought they were meaning the seminal Queen album containing such hits as “Love of my Life”, “You’re my Best Friend” and of course “Bohemian Rhapsody”, but although this evening was not a Freddie Mercury & Queen night, I did feel somewhat regal as I took my seat ready to break my operatic duck.

I have always been a fan of music, having trained to play the keyboards for 6 years as a teenager, during which time progressing to play a lot of classical music but sticking to the very popular or those which had been used in adverts or TV.  I was therefore quite excited about seeing & hearing first hand how the tunes I’d mercilessly butchered should sound as well as discovering new ones.  The feeling of pomp & circumstance surrounding the thought of “going to the opera, don’t you know” almost made me drift into bad impressions of Noel Coward (minus the smoking jacket).

What a fabulous evening this was.  For anyone who can’t tell their Tosca from their La Boheme and who are certain Rigoletto is a starter at the local Italian, I guarantee that you would certainly know all the tunes and I daresay a lot of the words too. (although some may be the bastardised football versions).  Likewise, I defy anyone not to marvel at the sheer spectacle of the costumes, the power of the voices and the spender of the occasion. The programme contained music by Verdi, Puccini, Mozart, Rossini, Bizet, Offenbach and many more; names which, had they been footballers, would be classed as ‘Galicticos’ – or simply put, mega-stars. 

It’s funny how music, quite often the background soundtrack to life can suddenly become the focual point and creator of memories.  For over 2 hours I sat in awe of this glittering concert, only punctuated by my possibly annoying commentary of “oh I know this one” – needless to say, my guest for the evening was equally enamoured with the sudden familiarity of the hitherto unknown works.  Complete with orchestral interludes adding to the grandeur of occasion, I felt that I had been whisked away to the opera houses of Venice, Rome, Vienna, Prague and Paris back in the 17th & 19th centuries.   Of course, no opera evening would be complete without a rendition of Nessun Dorma from Turandot and I have to admit, I felt a Gascoigne-like tear well up as memories of Sir Bobby Robson, Rome and that oh-so-near (again) feeling flooded around me.

Darlington Civic Theatre played perfect host to this sumptuous evening as tho it were designed purely with nights like this in mind and I am sure, given the rapturous applause at the end, that opera will be a very welcome addition to the annual schedules for the SouthDurham public.  The Civic scored very highly with my guest too, for she had chosen to forsake her usual viewing pleasures in York to sample the delights of Darlington; final score Darlington 1 – York 0 !

Personally I would like to thank the cast, musicians and production for awakening in me a real enjoyment of opera – it’s like discovering a whole new world to explore, one which has been around for centuries but just never before seeming too appealing. 

Additional note: Since attending the show at Darlington Civic I have found myself drawn to checking out the Sky Arts channel listings for the full operatic works; so much so that my Sky + box is almost full, so I guess it will soon be time to put on my Sunday best, take up my opera glasses and settle down to enjoy another Night at the Opera.

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Barry & Stuart – It’s just an illusion

Posted on July 4, 2011 by andybramfitt

On Friday I took Mrs B up to Durham to the Gala to see the latest in a long line of Scottish double acts.  For those of you who have yet to go to the Gala theatre you’re really missing out on a treat.  From the modern and spacious entrance, the light and airy bar and the intimate size you go into a perfectly formed, excellently designed auditorium ideal for smaller shows, stand up and, in this case, magic (magic …. magic …. magic…. that was my attempt at an echo for dramatic effect). The seats are super comfy with more leg room than a 1st class seat on BMI and the sight lines are all excellent.

So, we came to watch Barry & Stuart; a two-man magic act also known as the 2magicians. They are known for their dark and sinister performing style, weird and bloody tricks and for hosting and arranging the recent BBC series ‘Magicians’ (where celebrities were coached into doing magic & illusions)

I can’t really delve too deeply into the act without giving away the essence of surprise & wonder but I will say that these two young men have honed their act into a very slick, very modern take on a range of quite traditional illusions & slight of hand tricks.  Afterwards you are left thinking, “I’ve seen that trick before, but never like this” and you still can’t work out how they do it.  Inter-played with the magic is an amazing feat of memory recall which uses a bed of nails in a very novel way.  My personal favourite was probably the simplest; while Stuart performed the appearing coin trick, Barry accompanied his actions on a sound-box loaded with Super Mario jingles & effects – watching Stuart run around the auditorium do the strains of Nintendo’s famous plumber was indeed simple but very, very  funny.

I thought that some more ornate tricks would be difficult to do with such an intimate audience, but having the two of them on stage means you are always torn as to who to watch and, of course, while you are watching one the other one is busy keeping the illusion moving.  Suffice it to say I really tried hard to pay close attention to the set up of tricks, felt sure I would be able to at least work out how, even if I couldn’t see when but alas, no, they are just too slick or they throw in a last minute curve ball and the trick morphs into something completely different.

Their humour is dark, modern and very much grounded in who they are; two 20 something lads from Scotland who are rapidly rivalling the great Penn & Tellar for the crown of best in crass & class – not all their tricks are family friendly so beware – there is an age suggestion of 14+ and there is reason for that :-) .

Barry & Stuart are busy touring ‘darn sarf’ for the moment, but then they have almost all of August in Edinburgh, so if you’re heading up north for the festival I would definitely recommend taking in their show.

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That was then, this was Here and Now

Posted on June 30, 2011 by andybramfitt

As a child born in 1970 my real youth was centered firmly on the 80′s – not so much the fashions as I was, for at least half of the decade, still reliant on Mum & Dad to buy my clothes, but what I didn’t need anyone else to do was choose my music and boy, the 80′s was great!

Pop was exactly that, POP ! Upbeat, uptempo with the rise of the synth, the drum machine and the first vestiges of a more commercial approach to the music industry (thank you Stock, Aitken and Waterman) even the sad songs, the poor unrequited love songs still had a catchy melody and a hidden sense of hope.  So, with all my memories bubbling to the surface I hit the Telewest Arena for a trip into nostalgia. 

The last time I came to the Arena was for the Metro Radio Live event, at that time the roads were cordoned off, the crowds of flag & posters sellers were all vying for a share of the teeny pocket money and the scent of Chantelle or Brittany was heavy in the air.  This time the roads were clear, there wasn’t a single seller and the air seemed, to me at least, to have a faint whiff of Charlie….

Obviously the crowds able to turn out for a gig like this are a lot smaller than the current teen variety show; the stage had been pulled half way into the arena, reducing the number of seats available but at the same time creating a more cosy feel, like a school reunion disco and that is the very best way to describe the night.

First up was A Flock of Seagulls, well, not so much a flock now, more like one lonely seagull on the look out for his mates.  Mike Score on keyboards (minus his trademark back-combed ‘do’) at least gave us the first taste of what was to come with their synth-heavy “I Ran”, “Wishing” and then “Space Age Love Song”.   ★1/2

Next (after a very quick change over) was Pepsi & Shirlie, initially known as the backing singers for Wham but then breaking away to have their own hits. These girls still looked great and were obviously very much up for having fun on stage too – belting out renditions of “Heartache”, “Goodbye Stranger” and “Alright Now” – needless to say, the girls in the audience all seemed to know these ones.  ★★

After P & S the stage went dark, a few changes and then entered a small man in a suit, guitar round his neck and to a flash we were introduced to Midge Ure.  I always knew of Midge as the lead singer of Ultravox and had bought his solo albums too, but boy this guy can still play AND belt out a song.  Genuinely looking like he was having fun, Midge gave us “If I was”, “Fade to Grey” (which a lot of people were baffled to know Midge wrote and gave it to Stevie Strange of Visage), and absolutely awesome rendition of “Vienna” and finished off with “Dancing, with Tears in my Eyes” (which I admit I was a little bit).  IF this guy EVER comes near to where you live, be it to play a couple of songs or a whole concert, you MUST go and see him.  ★★★★

The last act of the first half was, if I’m to be honest (and I’d never lie to you), the act I really had looked forward to the most.  In 1987 I was 16 and already finding my way through the teenage angst – then along came Belinda Carlisle and unfortunately most girls my age suffered because of her – she was, and still is, Gorgeous !!  She bounced on stage and I have to admit I stood stock still, eyes agog and mouth open like a pet shop poodle.  Her hits were made for a night like last night; “I Get Weak”, “Circles in the Sand”, “Leave a Light On”, “Heaven is a Place on Earth” – all of them played with complete abandon, a sense of the 80′s freedom was brought to us in 2011 by the epitome of the era.  ★★★★★ (how can it not be)

The break gave me chance to calm down a little, or maybe come back to reality – I always believe that the essence of a good show, whether it is music, theatre or film is to give the audience the chance to escape, to forget the today and the problems, challenges and disappointments and to just spend time being free- well the first half transported me right back to the 80′s and left me wanting more (or maybe a Delorean & Flux capacitor).

The second half kicked off with Jimmy Somerville, lead singer of Bronski Beat and The Communards and in my eyes another key component in the soundtrack of the mid 80′s.  Jimmy started off with the super up-tempo “You Make me Feel” and then took us even higher with “Never can Say Goodbye”, “To Love Somebody”, the blistering “Small Town Boy” and “You Are my World”.  Jimmy is still as cheeky, as impish and as cute as a button as he has ever been and was having so much fun with the audience that I reckon he would happily have stayed on stage for the rest of the night.★★★1/2

Next came the act I think every girl (and they are still girls, just as I am still one of the boys) in the arena was waiting for, he’s been Scott, he’s been Joseph, he’s been in drag in the Australian desert “But tonight, Mathew, I’m going to be ….” Jason Donovan.  He had the same hair style, plain black jeans and a white t-shirt and he was back as if he’d never been away – “Nothing can Divide us”, “When you Come Back to me”, “Oh Everyday”, an acoustic version of “Sealed with a Kiss” (Bryan Hyland eat your heart out) and then a duet with his backing singer “Especially for You” (a bit too much to ask for Kylie to join in on this one) the Joseph anthem “Any Dream will Do” and to finish off “Too Many Broken Hearts”. A complete showman from start to finish with cheeky showing his stomach, playing the queen, joining in with the crowd as we sang along – 80′s fun personified (and thanks to SAW for some great tunes) ★★★★

And so, dear reader, we come to the final act of the night.  Now having followed such awesome fayre and with a crowd who were so obviously high on the pop-tastic treats of the previous 2 hours, on came (eventually) Mr Boy George.   Hmmmmmm.  I liked Culture Club, I quite liked some of ‘Boys’ solo songs, but I had my doubts that he wouldn’t be able to keep up the tempo, the fun, the inclusion of the other acts AND BOY WAS I RIGHT !  Georgy Boy spent all of “Church of the Poison Mind” and ” Miracle” just complaining to the sound deck that he couldn’t hear himself – and from then the feeling in the place just died a little.  It was true that “Everything I Own” had enough scope for audience participation to keep us interested but when he launched into “Always on my Mind” in the style of ‘Vic Reeves in the style of a pub singer’ it was obvious that he wasn’t worthy of heading the bill.  “Do you Really Wanna Hurt me” and “Hare Krishna” followed, all still punctuated by George walking over to the stage side sound desk and asking them to make changes.  Once he had given us “Victims” – the song, tho we kinda felt a bit like victims too, all that was left was for “Karma Chameleon” and then a prompt turn and he disappeared off stage, ner to be seen again. ★ for coming

All in all, this was a fantastic night, full of great pop songs – in fear of being branded an old fuddy, they don’t make songs like this anymore (nor did they in the 90′s and I was only 20 ) and it’s good in a way that they don’t because today’s artists wouldn’t be happy to sing such upbeat, happy, fun-based tunes.

I have to admit tho, as much as I enjoyed this more that any show in the past few years, I did leave feeling somewhat sad, down and a little depressed – a trip back in time to the soundtrack of my youth was great, but where has all that happiness, optimism & carefree fun gone ? - boy do I feel old this morning !

Posted in Music | Tagged , | 4 Comments

Newcastle United,the close season so far

Posted on June 24, 2011 by andybramfitt

Hi all

For those of you who don’t yet know, I am a lifelong Newcastle fan, having been to my first match in 1985 and holding the distinction that between 1986 and 2003 I only missed 3 home matches (1 was for my honeymoon, the 7-1 win over Leicester City as we were promoted to the Prem League)

The close season is always a fun time for the rumour mongers, the sports writers who still need to fill column inches without any firm stories and of course the agents whose wallets only get filled when one of their players signs, moves or manages to get a better deal

It’s with some surprise then, that in the first 4 weeks of this close season, NUFC have managed to bring in 4 new players – 3 of which were courted by other Prem clubs – and released a number of squad players whose days in Black & White were surely up.

True, there is still some consternation around the selling of Kevin Nolan, but tbh, when the club offers an extra 2 years onto the remaining 2 years, all of which at a very healthy weekly salary but the player wants 5 years then there’s nothing else to do but turn it down and go to the Championship.  I reckon that Nolan probably insisted that as captain he should be afforded almost immovable rights to being 1st on the team sheet, a promise which neither could, nor should have been given – not when we are looking to bring speed, skill and dynamic approach to the team.  It’s true that Nolan was excellent for us, when we needed a battling leader and could manage to win enough points to be safe by out fighting teams, but I despair at the number of fans bemoaning his transfer as a sign of lack of ambition by the club; our ambition must be to push upwards to the top 6 and the team we finished last season with clearly wasn’t able to do that.

Another area which seems to warrant huge numbers of barely literate Newcastle fans bombarding the blog sites and message boards is that Mike Ashley has still yet to really spend any of the Andy Carrol money – too many ‘fans’ have an unwaivable grudge against Mike Ashley (most of them are only in their late teens and so can’t even remember what it was like to truly suffer under McKeag et al) and believe that he is ‘out to get us’ and ‘only looking to make himself rich’ – Small-minded fools that they are, they should stop for a moment and realise that under Ashley we are 3rd in Europe for having the best potential to meet UEFA’s financial regulations.  Likewise, we are still bringing in young & talented players, building for the future and not just shopping in the last chance saloon for ex-prem stars

The biggest disappointment when it comes to the minority group of fans who can’t see anything positive is that they are too blind to realise that the biggest clubs, those with the bigger stars who these fans a desparate for us to sign (Sturridge being the most popular at the moment) have yet to start their summer trading – most European transfers start on 1st July so to suggest that Mike Asley is not going to spend the big bucks is far too presumptuous.  I do not agree with everything that Mr Ashley has done, nor the way some things were carried out, but I do have faith that for him, a successful Newcastle United is the goal; for the financial return, for the prestige and for the bragging rites over some of his other football contacts (Dave Whelan at Wigan being the biggest)

I say, wait and see who we bring in, and to those ‘anti-Ashley’ fans out there – it’s better the devil you know !

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Paddock Farm nr Croft – afternoon delight

Posted on June 17, 2011 by andybramfitt

Hi all

Last year I bought Jess a fish tank for her birthday – not a huge one (approx 90 litres) but big enough for her to enjoy plenty of fish and experience the trials, tribulations and joy of being a pet owner (we already own 2 cats, or should I say, like all cats, they own us).  Oh, the plans of mice & men – after a couple of  weeks it became MY fish tank, especially when it needed cleaning, restocking with plants, fishing out the dead occupants and replacing with fresh ones.

Nevertheless,I have quite enjoyed being an ‘aquatic farmer’ – it’s true, I did once think a new filter and a good old clean would be a treat for the fish and inadvertently sterilised the tank, killing all but 3 in the process – but having learned that some bacteria is quite helpful I have progressed to being something of a competent novice.

On looking around the South Durham area for fish stockists I came across Paddock Farm & Water Gardens, out on the circuit road just past Croft on Tees.  What a marvellous place, hidden away unless you know to look for the signs, but rewarding the keen eyed driver with a few acres stocked with plants, trees, landscaping and both indoor and outdoor fish.

Owners Mark & Janet are always very welcoming giving you the feeling that you’ve known them for years and that they are really pleased to see you.  It is obvious that they love their business and take a pride in being friendly & courteous.  No question is too daft or simple and their knowledge and experience, coupled with such a genuine charm, makes it feel like you’ve popped down to your aunt and uncles house for a coffee and a natter about the garden.

The outside of Paddock Farm is split in two; one half is stocked like a garden centre, complete & resplendant with every type of shrub, tree, biannual and bedding plants you can think of.  This area also has a huge range of pond liners, slate & rocks, all types of pebble and chippings as well as loads of ornaments and water features. 

The second half outside, which is accessed through a gate next to the cafe bar, is a delightful walk through 8 – 10 ready stocked and mature water gardens.  These gardens, like individual oasis, are seperately themed and give some great ideas as to how  you can use the stock on sale.  There is a rustic, back-water garden, a Zen garden, river themes, ponds for huge Koi carps and little pools with zander and sturgeon. 

It is very easy to spend at least an hour or two simply walking around the gardens, and for those who find themselves exiting the garden tour with a thirst or feeling peckish the tea rooms are right on hand.  This quaint cafe has quite an extensive menu of snacks, lite bites and lunches all homemade and served with a smile and a chat.

Moving inside brings you to the fish – the main reason why I first came to this haven.  Split into cold water outdoor tanks and tropical indoor aquaria,Paddock Farm is fast becoming known as THE best stocked fishery in the North of England.  In fact on any given Saturday you can find fish enthusiasts who have travelled down from Scotland, over from Ireland and up from Nottingham.  It is not just the stock that draws such a well travelled clientelle; the staff who help run the fish centre are all very knowledgable in all aspects of fish husbandry; from setting up your first tank, to ideas on stock, suggestions on upgrades or troubleshooting poorly fins.  Recently I had need to find a new home for a Red Tailed Shark who had become something of a bully in the tank and they were more than happy to take him in and help suggest some stock to replace his last few meals.

Whether you are a gardener, fish lover, pond keeper or just out for a wander around, a sunny afternoon at Paddock Farm is like stepping into a real life episode of Gardeners World crossed with Ground Force and hosted by the nicest daytime TV presenters.

Go on,

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The Lady in the Van – a hidden treat at the bottom of the garden

Posted on June 17, 2011 by andybramfitt

Any opportunity to go to Darlington’s wonderful Civic Theatre and I’m there – call it local pride or just blinkered appreciation but I think that there are few venues that can compete with its intimacy, history and genuine warmth.

Wednesday night I took Mrs B out for a spot of culture; Alan Bennett’s play The Lady in the Van.  One of my ‘bucket list’ activities, I can now say that I have seen an AB play on the stage and I was not disappointed.

A little about the story;

In The Lady in the Van Alan Bennett describes his very odd long-term relationship with “Miss Shepherd”. Miss S. first came to the attention of Bennett in the late 1960s. She and her perpetually stalled van (or rather: a succession of such vans) could be found in his Camden Town neighborhood, parked ever-closer to Bennett’s home. Eventually he allowed her to keep it in his own driveway, giving her sanctuary in his garden, as he describes it. It remained there — with Miss S. living first there and then in a lean-to at the side of his house — until her death in 1989.

Bennett and Miss S. made for an odd couple. They were, in a sense, landlord and tenant, but other than some peace of mind (knowing Miss S. was “at least out of harm’s way”) Bennett didn’t appear to benefit much from the arrangement. Miss S. wasn’t the easiest person to deal with: “One was seldom able to do her a good turn without some thoughts of strangulation.”

Miss S. wasn’t quite right in the head, but she got on well enough. Amazingly, between the social state and the beneficence of some of the locals, she fared well and happily enough, puttering about in her own little world, selling self-written tracts and pencils, doing pretty much as she pleased.

In this stage production 2 actors brilliantly play Alan Bennett, on stage at the same time; one as his ‘in-story character’, interacting with Ms Shepherd and the neighbours and the other as his ‘conscience – internal monologue often debating with his in-story character making for some hilarious wordplay.  Both actors have Bennett’s soft Yorkshire twang, his self-depreciating delivery and his unique play on juxtapositioning the absurd with the day-to-day familiar so well.  The way in which Bennetts prose just rolls around the scene makes it completely unassuming, drawing in the audience into total belief whilst at the same time splitting your empathyl; first to Bennet, then to Ms Shepherd and then back to Bennett again.

I won’t go into the intracacies of the story too much, it’s too good a play for me to ever do it justice in my humble review, but I would recommend anyone and everyone to go and see The Lady in the Van,

Posted in Theatre | Tagged | 1 Comment

Feeling peckish ?? The Gretna Green, Newton Aycliffe

Posted on June 14, 2011 by andybramfitt

Following the disappointment at the Sutton Arms (which, I neglected to mention was a meal out for my birthday) it was Mrs B’s birthday and as such, her choice of eatery.  Mum & Dad were coming too so there would be 6 of us and, to avoid the England match coverage (which, I assured Mrs B, would only disrupt any chance of enjoying a peaceful meal – nothing to do with me wanting to watch it at home later) we popped up to The Gretna Green on the A167 at Newton Aycliffe - 4 o’clock on a Saturday afternoon.

Right from walking in I was struck by the number of members of staff on duty, cleaning tables, serving, taking extra orders – the place wasn’t busy, but it looked like there were at least 2 members of staff for each serve area – impressive indeed when a lot of places are looking to cut costs.

The menu at The Gretna is a Fayre & Square – similar in style to Brewsters, Wacky Warehouse, Hungry Horse etc but, with an extensive choice available on ’2 for £10′ and some very tempting starters it really stood out as offering something for everyone.

We plumped for a large bowl of Nachos to share, some garlic bruschetta and a round of drinks.  All were served quickly, piping hot and in great volume.  The nachos in particular were smothered in Sour Cream, Guacamole, Salsa and big pieces of flame grilled chicken.  Our server kept an unobtrusive eye on the table and only when it was obvious we had licked the plates clean did she enquire whether we would be ready for our main courses or did we want a little longer to let the starters settle- a very pleasant and friendly way to check on progress and none of the usual assumption that as soon as one course is finished the next must be served.

In danger of boring you too much, I shall quickly list the main courses;

1/2 Roast chicken, chips & salad

A full all day English Breakfast (which was huge)

2 x 10oz Gammon steaks (which were thick, succulent and perfectly cooked)

Chicken nuggets and chips

Lasagna with Garlic Bread

All of these meals were perfectly served; big on volume and huge on flavour and our servers were full of fun and energy as they took an almost personal pleasure in what we had chosen to eat.

There are those in the family whose sweet tooth must be quietened and the menu at The Gretna rises to that challenge with aplomb.  A triple scoop ice cream sundae, a raspberry and white chocolate gateau and a fabulously named “Tuck Shop Ice Cream Cake” kept the dessert monsters busy for another 20 minutes

All in all the 6 of us had a wonderful meal, felt very well looked after by the staff, never rushed or made to feel we were taking up space and, after a full round of drinks as well, there was still change from £50

I whole-heartily recommend giving this a try, you won’t be disappointed !

Posted in Food & Drink | 1 Comment

Feeling peckish ?? The Sutton Arms in Elton

Posted on June 14, 2011 by andybramfitt

Not too long ago I promised Mrs B that we would eat out a little more often – not because she’s become bored with my cooking (even tho I say so myself, I do like to dabble in the kitchen)  but more, in the absence of a dishwasher, to just relax without having to tackle the mountains of washing up

First up was a trip to the Sutton Arms in Elton, nr Stockton.  Now the Sutton Arms has long been a favourite of mine, in no small part due to the huge choice on the menu and the offering of some exceptionally large portions.  When you walk into the old coaching house the first thing you notice is that the walls are covered in menu choices, hundreds of them !  Fish dishes conjuring up visions of the seven seas with bounties aplenty, meat & game with old rustic names and fusion offerings of East meets West.

The older girls plumped for Malibu Carribean Chicken – succulent butterfly breast served in a coconut rum and pineapple cream sauce. Lady Jess went for ‘Posh Fish & Chips’ and myself, well I was a tad peckish so I asked for the Sutton Special Grill – I was warned by the waitress that very few manage to finish this carnivore challenge which only whetted my appetite further.

The girls dishes came first and were all served in a great size and accompanied with fresh veg selection, home-made chips and salad.  Mine then came through on what looked like  a cross between a dustbin lid and a serving tray – it was BIG.  My eyes were positively huge and I swear that my pulse went up a good few BPM; the platter contained 3 Pork Chops, 2 Lamp Chops, 2 pieces of gammon, 3 sausages, two rashers of bacon, 2 pieces of liver, a couple of fried eggs, a mountain of mushrooms, onion rings and tomatoes and then, in its own little dish, an 8oz piece of sirloin.  Oh yes, I thought to myself – it’s meat time !

Unfortunately that is where the fun, excitement and enjoyment ends, dear reader – you see whilst the top of each piece of meat looked succulent, juicy and fresh, the underside of each & every piece was rock hard, dried out and burned ! – it looked like the chef had cooked it all on one side, turned it all over and then turned off the gas and forgotten about it !  I tried my best to salvage something resembling a meal but the final straw came when I bent my fork double (completely double, Uri Gellar would have been proud) trying to spear a piece of gammon.

So, whilst the girls enjoyed their dinner I called the waitress over and explained, ney demonstrated,  the difficulty I was facing.  She apologised and took my tray back to the chef; minutes later she returned to say that the chef doesn’t really know what was wrong, but could see that some of it was ‘well done’ – in a reversal of a Faulty Towers situation I was inclined to proclaim “Well Done, a good cobbler would have made me some size 10 hiking boots with that plate full, and a belt or two to match”

I was offered a complimentary pint and the reduction in the cost of my meal by £5 – hmm, not exactly a fair swap for the 5lb of tanned farm produce I had just returned, however as the girls had just about finished theirs (which to the credit of the chef was very good) I was not inclined to order anything else.

My advice to you; if you go to the Sutton Arms by all means marvel at the menu choices, let you mind dance around the denizen of dishes on offer but choose something reasonably simple that doesn’t need to be watched or I fear you too may be calling at the chippy on the way home.

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Who says it’s chilli up North ?

Posted on June 13, 2011 by andybramfitt

Well, I have just had my confirmation that I’m one of the 10 intrepid (or foolhardy) contestants for Saturdays Chilli Eating Competition, all part of this years Eat! NewcastleGateshead Festival.

For anyone who has yet to explore the culinary delights that this years smorgasboard has to offer, check out the website at http://www.eatnewcastlegateshead.com/

But back to the matter in hand – I suppose I should now go into some sort of training, drinking milk, bread, Gaviscon – but from what I can gather, the challenge is to eat fresh chillies in ascending strength until such times as you can’t stand it anymore, so to be honest, I doubt whether the real pain will be felt until Sunday morning – ironically enough, father’s day.  ”Girls, don’t buy me a present or a card, just pop the loo roll into the fridge and keep those bags of frozen peas coming !”

I will let you know how I get on next week – wish me luck

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Life, It’s the name of the game ……

Posted on June 13, 2011 by andybramfitt

Saturday 11th June

 The end to a pretty full week (Metro Radio Live on Thursday and Gary Mullens Night of Queen on Friday) we plumped for something a little less frantic viewing and a bit more hands on.  I had never been to the Centre for Life in Newcastle; the girls had, as had my better half, but the closest I had been was as I walked up from the multi-storey car park on the way to the footie.

The welcome on entry was very warm and despite me being with 3 veteran visitors, I was given my own mini tour, shown the key areas and a quick summary of the presentations due on during the day.    From there we were off and I was immediately impressed by the feeling of the place – it’s like the Science Museum without glass cabinets and the stuffy ambience.  Everything was hands-on, from the infrared thermal imaging (which showed that whilst I may have cold hands, my heart is red hot), the evolution of man up to getting to record your very own weather forecast, complete with script and interactive smart screen.

The Life Centre has regular themes, changing once or twice through the year, at the moment it is the IPO (Intellectual Property Office) and inventions of the past, present and future.  Whilst this may sound a little mature for children it has been brilliantly coupled with Wallace & Gromit demonstrating how ideas start, how some inventions were instant successes and how many just fail to get off the ground.  Likewise, there were loads of chances for us all to have a go at designing logos, machines, even wallpaper patterns to be projected onto huge walls.

In addition to the W&G theme are the regular Life Centre stalwarts;

The Science Theatre – where we were shown examples of alternative energy including a steam powered ‘put-put’ boat, how to make bioluminescence and the explosive power of cornflour

The Planetarium – a very comfortable viewing sphere, our show was a trip around all the planets of the solar system

The Deep – a motion ride where you are strapped into chairs which provide the moving sensation as you watch the huge screen for a trip to the very depths of the ocean, complete with Giant Squid, Sperm Whales and ugly Angler Fish.

All in all we spent over 3 hours in the Centre for Life, we could have spent all day if we had chosen to bring a picnic, but girls being girls they wanted to head back out to Eldon Square for a spot of retail therapy – oh my empty wallet.

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Gary Mullen and The Works – Another Night Of Queen

Posted on June 12, 2011 by andybramfitt

Friday 10th June, and to balance up the girls’ trips to an event this week I took Jess to see Gary Mullen & The Works’ “One Night With Queen” at Newcastle City Hall.  Benjamin Franklin famously stated, “In this world nothing can be said to be certain, except death and taxes’ – well, Mr Franklin, I must interject and add a 3rd idiom – “…nothing is certain except death, taxes and a fabulous night out if Gary Mullen is on the bill !”

 One of my biggest regrets in life is not to have seen Queen live; I missed the opportunity to see them at the hallowed St James Park for being too young (honest!), and by the time Live Aid had thrust them back into the public’s consciousness I was busy playing football, chasing girls and couldn’t really afford the trip down to Wembley.  Nevertheless, Queen and Freddie Mercury played a huge part in the soundtrack to my adolescence; my brother and I played their Greatest Hits cassette until it literally wore out and we had to buy another.  Likewise I will always remember where I was when I heard that Freddie had passed away.

 So, when I had the chance to go and see Gary Mullen and The Works 2 years ago at Darlington Civic, I was a little nervous that the show would be a parody, pastiche or just plain wrong – I needn’t have worried, they were awesome then and they are still awesome now.

 Friday night was my 3rd time of seeing the show and the first at City Hall.  The turnout was what the entertainment press would call ‘intimate’ – probably no more than 120, all (initially) seated in the first half of the stalls, but what we lacked in numbers we made up for in energy, noise and good old fashioned fun.  From the 1st song it was plain that we were not going to be allowed to sit on our behinds and clap to the rhythm, Gary saw to that by ‘politely’ pointing out any ‘boring farts’,  so we spent pretty much the next 2 ½ hours on our feet.

 For anyone who has yet to go and see Gary & the band they are totally amazing; He is Freddie incarnate, complete with the mannerisms, cheeky winks, sexy pout and a truly astonishing voice.  The band are note perfect to all the classic queen songs, but they can also hit the ‘jam’ button and drop some funk, soul and disco into the live performance.

 Having seen the show twice before I was expecting to know the playlist but there were a number of notable changes; Who Wants to Live Forever brought an almost eerie, spiritual feeling; The Show Must Go On became a majestic  anthem and then the coup de grace; a duet with stunningly beautiful and highly talented soprano Ruth Kerr to recreate the 1992 Olympic theme Barcelona.  Never has a song stopped an audience in full flow so absolutely as every single one of us stood, jaws agape, eyes wide open in amazement.  I bet I was not the only one whose arm hairs stood up.

 The 2nd half continued with trademark Queen hits, along with Gary encouraging the audience to join him in some vocal acrobatics – I jest you not, if you closed your eyes then just for a moment you could really believe Freddie was back.  Constantly looking for ways to interact with the audience, whether he was flirting with the front row, challenging the wings to shake their booties or strutting his stuff across the stage, Gary Mullen is in my opinion the world’s best FM. God save this Queen !

STOP PRESS:::::

Gary & the gang are playing at Darlington Civic Theatre on WEDNESDAY 14th SEPT 2011 – Get your tickets now :-)

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Caution at the Metro Arena -

Posted on June 10, 2011 by andybramfitt

Yesterday I took Becca up to the Metro Radio Arena for the Metro Radio Live (review is here http://www.whatsonnortheast.com/blog/andybramfitt/2011/06/10/metro-radio-live/ ) and fell foul of a supercilious, ignorant, arrogant jobs-worth of a steward.

On arriving I bought a diet coke for Becca and a pint of cider for me (£7 in total, gulp) – being of an age I decided it best to answer a call of nature before we went to our seats and left Becca stood outside the gents with my pint and her Coke.  No sooner had I gone in then a steward approached Becca and challenged her as to where she got the pint from.  “It’s my dad’s, he’s in there” she explained, pointing to the loo.  “Have you got any ID to prove your age ?” was the response ! 

Becca, although a confident 14 yr old, was understandably puzzled by this and tried again to explain that hers was the Coke and the pint was mine.  Her request for him to just wait a min for me to come out was met with an aggressive “I DON’T NEED TO WAIT FOR ANYONE, YOU’RE TOO YOUNG SO HAND IT OVER OR I WILL HAVE TO SEND YOU OUT”  Feeling embarrassed now, as people walking past were obvioulsy staring, and somewhat intimidated, Becca handed over the pint and ‘Mr Jobs-Worth’ promptly threw it into the nearest bin and walked off.

I came out of the gents to find Becca almost in tears, not upset but frustrated that this little jumped up, tin-pot dictator wouldn’t listen to her explanation and just wait for me to arrive.  We tried in vain to quickly find him but, as the show was about to start, I wrote it off as a pitiful example.

Now, I completely understand that tackling under-age drinking is both a moral and legal responsibility, but it was painfully obvious that Becca had 2 drinks in her hands; a diet coke and a pint of cider, she was stood outside the gents, and at 14 she was articulate in trying to explain the situation.

As the Latin phrase goes, ‘Caveat Emptor’, especially if you’re paying £4 for a pint and asking your daughter to hold it for you !

Update : I wrote to the security company who provide staff for events at the Metro Radio Arena – they admit that their steward was a little too vigilant and apologised, adding that they were going to use this experience to highlight to their teams how not to handle a similar situation

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Metro Radio Live ? It certainly was

Posted on June 10, 2011 by andybramfitt

As part of my attempt to keep up with my teenage daughters and their tastes in music,  I took Becca off to the Metro Radio Arena last night to see the “Metro Radio Live” – a very impressive line up mix of established and new acts and I’m quite proud to say I had actually heard of most of them.

The arena excels in this type of event, thousands of screaming teenagers, a plethora of flashing headbands all mixed into the heady smell of ‘Brittany’ or ‘Christina’ or some other pop princess’s latest perfume.

The build up DJ, a regular from Metro / TFM, had obviously misread the brief and proceeded to deliver a 7 yr olds disco party, punctuating every 20 seconds with “make some noise” or “are you having a good time” – maybe it was to counter the royalties process, but in 35 minutes he didn’t play one song fully, cutting most off after the initial 45 seconds of recognition.  His coup de grace, however, was to bring on stage two dancing Star Wars Stormtroopers who proceeded to wander around for a bit before doing an impromptu version of the birdy song.  Hmm, Becca & I exchanged rather concerned, puzzled and somewhat pitiful looks but nevermind – he was only the warm up.

The main line up went like this:

The Overtones: – nah, me neither, but as every semi decent looking person knows, it always pays to have at least one ugly friend to make you look even better – they were the concert’s cr4p act, brought along so that everyone else sounds good  Rating: 1/2 ★

Tinchy Stryder: – so from the ridiculous to the sublime, a class act, he gave the crowd exactly what they wanted and a preview of Starship, his new single which will merely serve to confirm that TS is going interstellar  Rating: ★★★1/2

Parade: – A one hit wonder ? More like its a wonder they actually had a hit – choreographed by one of the girls nans and practised in a spare bedroom somewhere in suburbia   Rating:  ★

The Feeling: – There was a pattern developing to the first half of the concert; cr4p, great, cr4p, great and The Feeling fitted in perfectly – fabulous ‘real’ band (playing instruments and everything) great catchy songs and definitely a group I would happily pay to watch a full gig  Rating: ★★

Sophie Ellis-Bextor: – Now I have a confession to make, it was Ms EB’s name on the line up which prompted me to get the tickets and boy was I a happy bunny – she is truly a stunningly beautiful lady, completely at ease on stage and delivered some cracking tunes.  She let it slip that it had taken them 8 hours to travel up, all for a 5 min slot, dedication or what - having said that her husband is the lead singer with The Feeling so it was possibly more like a family outing for her Rating: ★★★★1/2

Chipmunk: – 3 great acts in a row and another huge crowd favourite – Mr Munk (or Chippy to his mates) really looked like he was having fun, a fabulous mini-set and some great interaction with the fans  Rating: ★★★

Nicola Roberts: – Oh dear ! Lil girl lost without her mates on stage to help her out – “The Beat of my Drum” sounds like a Missy Elliot tune, but Nicola is no R&B stomper and to be honest it was more like a school talent show attempt.  Her 2nd song, Lucky Day was surprisingly catchy and would probably do well as a solo spot in a Girls Aloud gig but she really needs her mates with her Rating: ★1/2

So, we reached half time and all in all a very slick production, great use of the jumbo screens to preview the next artist and some buzzing performances………

2nd Half

Her Majesty and The Wolves: – Wow ! Quirky, catchy, completely mad but a fab start to the 2nd half – Her Majesty is the spitting image for a young Farrah Fawcett (showing my age there) especially in THAT pose which every teenage boy had as a poster Rating: ★★

Mike Posner: – Awesome dude, he took the gig to a new high, ramping up the crowd into a screaming frenzy and then delivering some banging tunes – Boom Chick a Wow Wow and Cooler than Me were perfect tracks to choose and he ended his slot buried deep in the crowd – Rating: ★★★★

Dionne Bromfield: – I had never heard of this young girl before tonight, she sounded a little but like a Tamla Mowtown version of Amy Whinehouse – nice to see that she had brought her younger cousins along as backing dancers Rating: ★★

Katy B: – Oh Katy, Katy, Katy – she looked like a young mum who had dropped the little one off at toddlers, popped out for a pint of milk and found herself on stage – completely missed her cue for the opening song which threw the crowd and thus her ‘backing MC’ spent the rest of her slot shouting at us to ‘make some noise’ and ‘sing with Katy’ – She’s got some great songs in her repertoire, just not great at delivering them live Rating: ★★

Example: – If Sophie Ellis Bextor was the perfect act to watch, then Example was the perfect act to bounce to – Kickstarts and Change the Way you Kiss Me were awesome, high tempo, high energy and highly addictive – excellent production and another who I would gladly go to see on their own Rating: ★★★★1/2

The Wanted: – So this was the pinnacle for all the girls in the crowd and the 5 lads didn’t disappoint anyone – I bet every girl felt that they had sang, waved, blown a kiss directly to her, they were genuinely having fun and worked the crowd like touring veterans – Not halfbad songs either, who knows what they can achieve once they’ve grown up and reached puberty  Rating: ★★★1/2

The Saturdays: – Headline act, polished in choreography but lacking in real charisma.  They seemed to spend most of the time wandering around the stage, almost following each other like a disjointed, 10 legged snake. After Example & The Wanted they really struggled to get the arena bouncing again Rating: ★★1/2

So, all in all a fab night, live music is always great, regardless of the quality, but I would definitely recommend keeping an eye out for the next Metro Radio Live.

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Everybody’s doing a brand new dance now …..

Posted on June 3, 2011 by andybramfitt

C’mon baby, do the Locomotion

and that’s exactly what we did yesterday – always willing to lend a hand we had offered to look after my 2 neices, Maddy (6) and Abs (4) and were determined not to rely on CBBC, Disney XD or any of the 100′s of DVDs we had to call on.

Instead we sought out what must be one of the best kept secrets in Co Durham – The National Railway Museum’s Shildon site also known as Locomotion.  For those who have been to Beamish, this is like a mini version centered on the history of the railway with historic buildings, engine sheds, post office and works yards all helping to paint the picture of life from the start of the railway industry.  I lived in Bishop Auckland for 22 years and I am somewhat ashamed to say I was completely unaware as to the huge part Shildon played in building and spreading the rail infrastructure throughout the world.

We visited Timothy Hackworths cottage and learned all about the man who pioneered engine design, walked through the goods shed down past the coal drops and onto the ‘Collection’  – up until then there had been enough to hold the interest of the two little ones with us, and enough history and explanation to keep us grown-ups reading but then, as we entered the main yard the huge doors of the Collection building beckoned a welcome.

This was amazing, over 60 engines, most fully restored and all harking back to the age of steam; there were posh pullman carriages, a Royal coach, post coaches, snow clearing wagons, the Mallard (still the holder of the fastest Steam Engine World Record) a minature train set and, the crowning glory for the current exhibition, the Hogwarts Express.

This is the actual train used in the Harry Potter movies and made for a fantastic photo-shoot.  A short queue and we even got to stand up on the footplate along side the conductor in all his Hogwarts finery.  There were endless supplies of colouring sheets, cut out Potter glasses, wands, hats etc to keep the HP theme going and a well appointed outdoor play area to burn off a little excited energy.

We had intended to use our trip to Locomotion to fill up an hour or two; we got there just after 10am and forced ourselves to leave as the girls were getting picked up at 4pm – a full day out, loads of history, fun, play and, an added bonus in this current climate is that it is all completely free of charge.   Toot Toot !!

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Bank Holiday with the Mighty Wurlitzer

Posted on May 29, 2011 by andybramfitt

Annual Fete and Open Day – Monday 30th May

The New Victoria Centre, Howden Le Wear, Crook

If someone mentions a Wurlitzer organ most people will immediately think of the Tower Ballroom in Blackpool; the huge pipes, keyboard that comes up from the ground and songs & music played by a whole host of eclectic instruments. 

But did you know that the North East has it’s very own Mighty Wurlitzer ?

Originally built and installed in the New Vic Theatre in Bradford, this extensively restored and unique example is situated in a specially converted theatre in Howden Le Wear, just south of Durham City.    A visit to the New Victoria Centre provides a rare opportunity to see & hear this very special throwback to the days when organs provided the musical backdrop for silent movies.   The console and organist rise up from below the ground into the auditorium before taking the listener into a very special world of nostalgic songs, classical and contemporary music.

There is an extensive programme of planned concerts for this year, including the follow up to last years record breaking ‘War-Blitzer’; a nostalgic evening of film and music from the second world war years and presented in conjunction with the Weardale Railway ‘War on the Line’ event.

The North East Theatre Organ Association (NETOA) welcomes you to their Fete and Open day on Monday 30th May – please see www.netoa.org.uk for more details and directions

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Its all Black & White to me

Posted on May 23, 2011 by andybramfitt

Sunday, May 22nd – the last day of the Premiership season and one which, having secured safety a couple of games ago, didn’t have the tense, nervousness of previous seasons.

Deciding to make a more relaxed afternoon instead of dashing to the ground, we went up early and made the most of the free entry into the Discovery Museum in Blandford Square. (Just off St James Boulevard)

I love this museum, it’s open, airy and has a real relaxed feel to it.  Plus it’s full of the heritage and history of the North East & Newcastle in particular. For anyone who has yet to ‘discover’ this treat, you can easily spend half a day here and never feel rushed or hushed.

There is, at present, even more reason to visit this little gem; Newcastle United through the ages !  This exhibition, a lot of which is provided by The Back Page, chronicles the history of the regions biggest & best supported club, from the Edwardian dominance, through the Cup wins of the early 50′s, the fashion & flares of the 70′s up to the commercialism and global product we see today.

There are countless examples of programmes, shirts, memorabilia and pictures, as well as some more unique Newcastle items; Black & White Ice Cream, a sweater from Malcolm MacDonalds Newcastle ’boutique’ and even Paul Gascoignes Newcastle contract (no mention of how many Mars Bars he was to receive)

Also, playing out on a big plasma screen, is a collection of Newcastle highlights as shown on LWT’s Big Match through the 70′s – none of the flash Sky production, these clips are introduced by Brian Moore who, even though they are almost all in colour, still feels the need to explain “Newcastle United are playing in stripes” – maybe the London viewers weren’t too sure of the colour schemes north of Watford.

All in all, a fabulous step through the ages of this world-famous club; great for any football fan, but a must-see for all members of the Toon Army – HTL !

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Diary Planning with WhatsonNorthEast.com

Posted on May 20, 2011 by andybramfitt

So, with the football season about to end and summer well on its way (at least that’s what Carol Kirkwood keeps telling me while I eat my Cheerios) its time to plan a few trips to the arts.

Over the past few years I have seen Sarah Millican, nDubz, Magnum, Vampires Rock, Al Murray, Chicago, Chitty Chitty Bang Bang, Tim Vine to mention just a few BUT I have missed so many more by not keeping up with listings, checking the local press, venue websites etc.

So this year I have added WhatsonNorthEast.com to my home page on my internet browser. Now, whenever I go on line, the first page I see is full of up to date information, listings and venues – its so easy to use, categorise into the type of event, who it is aimed at and of course, blogs from people who have already enjoyed it

All I need now is to clone myself so I can get to see everything.

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